[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-astra-cucine-zen":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":156},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":151,"matched_pages":152,"match_count":153,"two_pages":154,"show_text":155},7947,"Zen","astra-cucine-zen","\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F7e\u002F9aedd97b5ec4590edb8281ff12b168.pdf","Astra Cucine",976,"astra-cucine","4.6 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149],{"image":7,"text":15,"number":16},"ASTRA\nASTRA\nZEN_LA CUCINA\nle cucine\nZEN\nL A  C U C I N A\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.2.png","",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.3.png","ZEN\nDESIGN\nL A  C U C I N A\ndi domani e...oltre\nE’ il 1969 quando il  Musée des \nArts Décoratifs  di Parigi inaugura \nun’esposizione dal titolo\n“Qu’est ce que le design ?”\nChe cos’è il design?.\nLa curatrice,  Madame L. Amic, \npone per l’occasione una serie di \ndomande a  Charles Eames  che \nfornirà risposte di straordinaria \nlungimiranza, molte delle quali \nconservano ancora un valore \nimmutato nel tempo.\nLe riporteremo all’inizio di ogni \ncomposizione, ricordando che gli \nEames sono stati i primi designer \ndell’era moderna ad aver dato una \ndimensione di apertura alla pratica \ndel  design, con l’affermazione \ndel  diritto all’effimero e al \ncambiamento.\nIt was 1969 when the Musée des \nArts Décoratifs in Paris inaugurated \nan exhibition entitled “Qu’est-ce \nque le design ?”\nWhat is design?\nFor the occasion, the curator, \nMadame L. Amic, asked Charles \nEames a series of questions, to \nwhich he provided extraordinarily \nfar-sighted answers, many of which \nhave preserved their very same \nvalue over time. These questions and \nanswer will serve as an introduction \nto each of our compositions, \nhighlighting that the Eameses were \namong the first designers in the \nmodern age to open up the practice \nof design, affirming the right to \nephemerality and change.\n3\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.4.png","ZEN_01\nL. Amic  Qual’ è la Sua definizione di “Design”, \nSignor Eames ?\nCharles Eames  Si potrebbe descrivere il Design come \nun piano per sistemare i vari elementi  \nal fine di raggiungere uno scopo particolare.\nL. Amic  What is your definition of “Design”, Mr Eames?\nCharles Eames Design is a plan for arranging \nelements so as to achieve a particular purpose.\nComposizione con penisola, nella finitura lignea dell’Indy e nella tonalità del Terranova in tinta unita.  \nIl top in Fenix Castoro Ottawa ben si abbina alle finiture Industrial della cappa ad isola, dello zoccolo e del sistema di \napertura delle ante tramite gola sagomata.\nComposition with peninsula in the Indy wood finish and block Terranova colour.  \nThe top in Fenix Castoro Ottawa matches the Industrial finishes on the island hood,  plinth and curved groove on the doors, \nfor handleless opening.\n5\n4\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.5.png","7\n6\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.6.png","Il fianco terminale dei mobili contenitori di basi e colonne è stato sostituito dagli elementi Filogiorno.  \nQuesti vanno ad arricchire la cucina di comodi vani a giorno, utili per riporre dei libri ed oggetti d’uso comune, donando \nleggerezza a tutto l’ambiente.\nThe end side panel on the storage base units and tall units has been replaced by the Filogiorno units.  \nThese ones  provide handy open-fronted compartments, useful for storing books and everyday items, making the space feel \nlight and airy.\n9\n8\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.7.png","11\n10\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.8.png","13\n12\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.9.png","ZEN_02 \nL. Amic  La creazione del Design ammette vincoli ?\nCharles Eames Il Design dipende ampiamente dai \nvincoli.\nL. Amic  Quali vincoli ?\nCharles Eames  La somma di tutti i vincoli. \nQuesta è una delle poche chiavi efficaci del problema \ndel Design.\nL’abilità del Designer di riconoscere quanti più vincoli \npossibili; la sua volontà ed entusiasmo per lavorare \nentro questi vincoli: vincoli di prezzo, dimensioni, forza, \nequilibrio, superficie, tempo e così via.\nL. Amic Does creating design mean accepting \nconstraints?\nCharles Eames Design is largely dependent on \nconstraints.\nL. Amic What are these constraints?\nCharles Eames The sum of all the constraints. \nThis is one of few effective keys to the problem of design:\na designer’s ability to identify as many constraints as \npossible, and a desire and the enthusiasm to work \nwithin these constraints, relating to price, size, strength, \nbalance, surface area, time, and so on.\nComposizione lineare nella finitura lignea del Rovere Chiaro e nella tonalità del Bianco assoluto. Il piano di lavoro e la \nrelativa alzata sono in Hpl Tosca con bordo Unicolor, materiale questo che dona un carattere deciso a tutta la proposta, \naccompagnando la zona living nelle medesime pigmentazioni.\nLinear composition in Rovere Chiaro wood finish and in the shade of Bianco assoluto. The worktop and its backsplash panel \nare in Hpl Tosca with Unicolor edge, a material that gives a strong character to the whole proposal, accompanying the living \narea in the same pigmentations.\n14\n15\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.10.png","17\n16\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.11.png","L’utilizzo del metallo in cucina come elemento caratterizzante, conferisce unicità alla proposta, contraddistinta dalla \nparticolare maniglia ad incasso Accakappa. Gli elementi in metallo Vertigo, con la particolarità di personalizzare lo schienale \ne i ripiani, trasformano la cucina in uno spazio funzionale e versatile.\nThe use of metal in the kitchen as a characterizing element gives uniqueness to the proposal, distinguished by the particular \nAccakappa built-in handle. The Vertigo metal elements, with the particularity of customizing back panel and shelves, \ntransform the kitchen into a functional and versatile space.\n19\n18\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.12.png","21\n20\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.13.png","23\n22\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.14.png","Il LIVING come valore di continuità della cucina, una soluzione integrata che ne mantiene l’estetica, l’ordine e l’uniformità \ndei moduli e degli spazi da vivere e da condividere. \nDa oggi è possibile creare delle composizioni di zona giorno che si integrano perfettamente con la cucina, riprendendone \nle finiture e i materiali, a completamento di un ambiente che diventa unico.\nLIVING as a value of kitchen continuity, an integrated solution that maintains aesthetics, order and uniformity of modules \nand spaces where share and live together. From today it is possible to create living room compositions that perfectly match \nwith the kitchen, recalling finishes and materials to complete an environment that becomes unique.\n24\n25\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.15.png","ZEN_03\nL. Amic  Il Design è un’espressione dell’arte ?\nCharles Eames  Direi piuttosto che è un’espressione \ndello scopo. \nSe è abbastanza buono, successivamente potrebbe \nessere considerato arte.\nL. Amic  Il Design è un metodo di espressione generale ?\nCharles Eames  No. È un metodo di azione.\nL. Amic Is design an expression of art?\nCharles Eames I would say rather that it is an expression \nof purpose. \nIf it is good enough, it may later be considered art.\nL. Amic Is design a form of general expression?\nCharles Eames No. It is a way of taking action.\nComposizione ad angolo con penisola, nella finitura lignea del Rebel e nella tonalità dell’Antracite in tinta unita. Il top è in \nUnicolor Karbon, finitura che ben si abbina alla tonalità del mobile contenitore, piuttosto che allo zoccolo e al sistema di \napertura dei frontali con gola sagomata in laccato Antracite. La cappa XXL in finitura Rebel accompagna con gusto l’intera \nproposta.\nCorner composition with peninsula in the Rebel wood finish and block Anthracite colour. The top is in Karbon Unicolor finish, \nwhich matches the shade of the storage unit well, as opposed to the plinth or curved groove lacquered in Anthracite. The XXL \nhood in the Rebel finish tastefully accompanies the rest of the composition.\n27\n26\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.16.png","29\n28\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.17.png","Nella penisola trova spazio il lavaggio. Ad essa viene addossato un comodo bancone al folding da 6 cm di spessore nel \ndecorativo Rebel, sostenuto da eleganti gambe inclinate XXL personalizzate nella finitura Antracite.\nDue sedie Miss con la struttura e la seduta in frassino massiccio sono state laccate a poro aperto per un perfetto abbinamento \ncromatico di tutta la cucina.\nThere is space for washing up on the peninsula too. A practical counter made using the folding technique and in the \ndecorative Rebel finish, 6 cm thick, is positioned next to it and supported by elegant XXL angled legs, customized in the \nAntracite  finish. Two “Miss” chairs with a solid ash wood frame and seat have been open-pore lacquered to perfectly match \nthe colour tones in this kitchen.\n31\n30\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.18.png","33\n32\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.19.png","Forze di apertura minime ed uno scorrimento dolce della corsa a levitazione,  aumentano il comfort dei sistemi di apertura \nBlum, assicurandone una marcata stabilità e una maggiore silenziosità. Anche la colonna può essere attrezzata con cassetti \ninterni, sempre ad estrazione totale e dalla chiusura assistita Blumotion presente di serie.\nThe units open with minimal effort and slide smoothly along the levitation runner, making the Blum system even more \npractical, stable and silent to use. The tall unit can also be equipped with fully extractable internal drawers with Blumotion \nsoft close as standard.\n35\n34\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.20.png","ZEN_04\nL. Amic  Il Design è effimero ?\nCharles Eames  Alcune esigenze sono effimere. \nLa maggior parte dei progetti sono effimeri.\nL. Amic  A chi si rivolge il Design: alla maggior parte della \ngente? \nAgli esperti o agli appassionati illuminati? \nA una classe sociale privilegiata ?\nCharles Eames  Il Design si rivolge alla necessità.\nL. Amic Is design ephemeral?\nCharles Eames Some needs are ephemeral. \nThe majority of projects are ephemeral.\nL. Amic Who is design aimed at: the masses, \nexperts, enlightened enthusiasts, \nor perhaps a privileged social class?\nCharles Eames Design is aimed at need.\nComposizione ad angolo con penisola, nella finitura del laccato Metallico opaco Rame e del laccato opaco Bianco. Il top \nè in Hanex White da 12 mm di spessore che abbinato alla cromia delle basi, origina un monolite monocromatico di forte \nimpatto estetico, per una soluzione di design che è sintesi di purezza e di eleganza.\nCorner composition with peninsula in the finish of the Metallic Rame matt lacquer and in the Bianco matt lacquer. The top \nin Hanex White, 12 mm thick, when combined with the colouring on the base units, creates a monochromatic monolith \nwith a strong visual impact. The result is a design solution encompassing purity and elegance.\n37\n36\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.21.png","39\n38\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.22.png","Di tendenza nel settore arredo, il laccato effetto Metallico si ottiene partendo da un supporto in fibra a media densità (MDF) \nricoperto da un fondo in poliestere. Successivamente vengono applicati a mano vari strati di componenti pigmentati che \nconferiscono l’effetto metallico alla superficie, bordi compresi. Una vernice acrilica di finitura protegge il frontale, garantendo \nal prodotto finito alti standard qualitativi.\nTrendy in the furniture sector, the metallic effect lacquering is obtained starting from a medium-density fiberboard (MDF) \nsupport covered with a polyester backing. Afterwards various layers of pigmented components are manually applied \ngiving the metallic effect to the surface, including the edges. An acrylic finish paint protects the front, ensuring high quality \nstandards for the finished product.\n41\n40\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.23.png","43\n42\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.24.png","Il piano di lavoro in Hanex può essere trattato con poca cura e poco riguardo, perché le sue caratteristiche tecniche fanno si \nche possa mantenersi sempre solido, robusto e dalla superficie piacevolmente vellutata. È un materiale sintetico, una resina \nduttile dalle caratteristiche uniche che permette di realizzare superfici senza giunzioni e con le vasche integrate.\nThe worktop surface in Hanex can be used without any particular care. The technical featurings of the material ensure that \nit remains solid, robust and velvety soft, no matter how roughly it is treated. It is a synthetic material, a ductile resin with \nunique characteristics, which can be used to create surfaces without joints and with integrated sinks.\n44\n45\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.25.png","47\n46\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.26.png","ZEN_05\nL.Amic Il Design implica l’idea di prodotti che siano \nnecessariamente utili?\nCharles Eames Si, anche se l’utilizzo potrebbe essere \nmolto sottile.\nL.Amic Potrebbe concorrere alla creazione di opere \nriservate esclusivamente al piacere?\nCharles Eames Chi direbbe che il piacere non è utile?\nL.Amic Does Design imply the idea of products that are \nnecessarily useful?\nCharles Eames Yes, even if the use could be very thin.\nL.Amic Could you contribute to the creation of works \nreserved exclusively for pleasure?\nCharles Eames Who would say that pleasure is not \nuseful?\nComposizione con isola, nella finitura lignea del Rovere Scuro nelle colonne e nella tonalità del laccato opaco Efeso per le \nbasi. Il piano di lavoro in Fenix Grigio Efeso si abbina perfettamente alla pigmentazione delle basi limitrofe, creando un \nvolume cromatico dalla forte personalità.\nComposition with island, in the wooden finish of Rovere Scuro in the tall units and in the shade of Efeso matt lacquer for \nthe base units. The worktop in Fenix Grigio Efeso perfectly matches the pigmentation of the adjoining bases, creating a \nchromatic volume with a strong personality.\n49\n48\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.27.png","51\n50\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.28.png","L’utilizzo delle vetrine in cucina crea un effetto di varietà e movimento nella composizione. Le vetrine TELAYO sono \ndisponibili in varie altezze e diverse dimensioni; si caratterizzano per il telaio metallico in finitura Metal Grey con la presa \nmaniglia incorporata nello stesso. Contengono un vetro fumé bronzato e sono dotate di particolari e performanti cerniere a \nscomparsa nel profilo dell’anta, per un design pulito, leggero e minimale.\nThe use of glass units in the kitchen creates an effect of variety and movement in the composition. TELAYO glass elements \nare available in different heights and dimensions; they are characterised by metal frame in Metal Grey finish with grip \nhandle therein incorporated. They contain a bronzed smoked glass and are equipped with special and performing hinges \nthat are concealed in the door profile, obtaining a clean, light and minimal design.\n53\n52\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.29.png","55\n54\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.30.png","Una estesa modularità permette di usufruire di una vasta gamma di mobili contenitore utili per ogni esigenza. Nel dettaglio \ntrova evidenza la nuova dimensione da 75 cm di larghezza, espressa nelle colonne a dispensa o predisposte per contenere \nil frigorifero dalla straordinaria capacità di ben 400 litri di contenimento e nelle basi per una migliore fruibilità degli spazi. \nSono dettagli che esaltano il valore dell’intero progetto.\nA large modularity allows you to take advantage of a wide range of storage units useful for every need. In detail, the new \ndimension of 75 cm in width is highlighted, expressed in the tall units used as pantries or arranged to hold the refrigerator \nwith an extraordinary containment capacity of 400 litres and also in the base units for a better usability of the spaces. These \nare details that enhance the value of the entire project.\n56\n57\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.31.png","59\n58\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.32.png","L. Amic  Quale ritiene che sia la condizione primaria per \npraticare il Design e per favorirne la diffusione ?\nCharles Eames  Il riconoscimento del bisogno.\nL. Amic  What do you think is the primary condition for \ndesign and helping design to spread?\nCharles Eames  Recognising the need.\nPAGINE TECNICHE\n61\n60\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.33.png","63\n62\nFINITURE IN LAMINATO DISPONIBILI A MAGAZZINO\nLAMINATE FINISHES AVAILABLE IN STOCK\nBianco Assoluto\nCanapa\nTerranova\nLACCATO OPACO\nRame\nPiombo\nAntracite\nBianco\nLACCATI \nDISPONIBILI A MAGAZZINO\nScala colori RAL\nPanna\nLACCATI\nDISPONONIBILI \nSU ORDINAZIONE\nGrigio Corda\nCreta\nEfeso\nTortora\nFerro\nOttawa\nGrigio Monsoon\nLondra\nBromo\nMetal Grey\nCacao\nVerde\nBlu Colomba\nRosso Rubino\nIndustrial\nsolo opaco\nonly matt\nNero\nsolo opaco\nonly matt\nMATERICO \nMATERIC \nTERMOSTRUTTURATO\nTHERMOSTRUCTURED\nFINITURE LACCATO EFFETTO METALLICO DISPONIBILI SU ORDINAZIONE\nMETALLIC EFFECT LACQUERED FINISHES AVAILABLE ON ORDER\nLACCATO LUCIDO\nIron\nBronze\nTitanium\nGLOSS LACQUERED\nMATT LACQUERED\nAntracite\nNoce Rebel\nRovere Indy\nRovere Chiaro\nRovere Scuro\nFINITURE LACCATO OPACO E LUCIDO\nMATT AND GLOSS LACQUERED FINISHES\nLACQUERED AVAILABLE\nIN STOCK\nLACQUERED AVAILABLE \nON ORDER\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F79\u002Fc5d22f3c6fae9587fc3ae651befef8.34.png","Astra Cucine srl\nVia Quattro Strade, 38\n30020 Annone Veneto (VE)\nTel. +39 0422 769431\nwww.astra.it\ninfo@astra.it\nArt direction  \nGraphic Design\nLara Santin Architetto\nImages\nNerokubo\nPhotolithography\nLucegroup\nPrint\nSincromia\nCod. 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