[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-arkoslight-lightandlife-spirit":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":527},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":522,"matched_pages":523,"match_count":524,"two_pages":525,"show_text":526},8270,"Light&Life Spirit","arkoslight-lightandlife-spirit","\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Fd2\u002F7e2ede580d928d60b7d9e10750ab2c.pdf","Arkoslight",190,"arkoslight","40.3 MB",[14,17,21,24,28,32,36,40,44,48,52,56,60,64,68,72,76,80,84,88,92,96,100,104,108,112,115,119,123,127,131,134,138,142,146,150,154,158,162,166,170,174,177,181,185,189,193,197,201,204,208,212,216,220,224,228,232,236,240,244,247,251,255,258,262,266,270,273,277,281,285,289,293,297,301,304,308,312,316,320,324,328,332,336,340,344,348,352,355,359,363,367,371,375,378,382,386,390,394,397,401,405,409,413,417,421,424,428,432,436,440,444,448,452,456,460,464,468,471,475,479,483,487,490,493,497,501,505,509,513,517,520],{"image":7,"text":15,"number":16},"LIGHT&LIFE\nS\nP\nI\nR\nI\nT\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.2.png","1\nreinterpretar, innovar, crear…\n",2,{"image":22,"text":19,"number":23},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.3.png",3,{"image":25,"text":26,"number":27},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.4.png","The underlying spirit that lives in Arkoslight as a Company  \n– as a producer of technical lighting fixtures for architecture –, \ncan be summarized in our corporate slogan: Light&Life.\nAnthropologically, among the world’s different cultures, \nthe link between light and life has always existed. From \nthe very awakening of human consciousness, light has \nalways symbolized the creating force, the generating \nstart of everything.\nFor that reason, creating light means creating life: defining \nthe spaces where reality takes place. Light&Life is the \nslogan that helps us to remember that every day, we \ndevote the efforts of our work to exercising this privilege.\nIn this reading, our wish is to share this passion with \nyou, this impulse to which Arkoslight is devoted. We \nhope that you enjoy the following lines, that will tell \nyou about light, creation, design and architecture.\nYou are most welcome.\nOUR ETHICS OF THE LIGHT, OUR PHILOSOPHY\n",4,{"image":29,"text":30,"number":31},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.5.png","",5,{"image":33,"text":34,"number":35},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.6.png","4\nreinterpretar, innovar, crear…\nL AT R Á S\nPA S S I O N  F O R  L I G H T I N G\n",6,{"image":37,"text":38,"number":39},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.7.png","5\nreinterpretar, innovar, crear…\nIn 1984, José Luís Latrás Laguna was \na passionate entrepreneur with a very \nclear aim: he wanted to dedicate his \nlife to his main passion: the light.  \nHe created his own company and \nsoon his clear approach capacity \nwould enable him to take advantage \nof the disruptive changes that the \nlighting market was going through in \nthe 80’s\u002F90’s: the emergence of the \nnew halogen and fluorescent lighting \nsources formats.\nFrom the very beginning, he was \naware that both an excellent quality \nand customer service were the main \nkeys to the company’s success. \nThis philosophy, added to the daily \nefforts, helped Arkoslight to reach \nprogressively a strong consolidation. \nThe firm is today enjoying a recognized \nreputation at international level – even \nin the most demanding markets –.\nWhen the LED irrupted as a new \nlighting source, Arkoslight again \nsucceeded in taking advantage of the \nmarket situation. In addition to José \nLuís Latrás’ commercial approach and \nspirit of constant improvement,  his son \nLuís Latrás – currently the company’s \nCEO – decided to implement the \nproducts’ modernization and \nsophistication process, always keeping \nin mind their main challenge for design. \nWith this purpose, along with the \ntechnical improvement process carried \nout internally, the company has now \nbecome a leading company at the   \nforefront of innovation.\n",7,{"image":41,"text":42,"number":43},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.8.png","6\n1. Francisco Guijarro | lighting project director  ·  2. Juan Górriz | quality control director\n3. Luis del Moral | general sales director  ·  4. Pascual García | administration director\n5. Israel Vázquez | general manager  ·  6. Guillem Chover | technical director\n7. Rubén Saldaña | product director  ·  8. Carlos Burló | it director\n9. Pedro Llinares | marketing director\n“Upon the  \nconduct of  \neach depends  \nthe fate of all” \n- Alexander the Great\n1\n2\n3\n4\n5\n6\n7\n8\n9\n",8,{"image":45,"text":46,"number":47},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.9.png","7\nreinterpretar, innovar, crear…\nEach luminaire produced in our  \nfacilities is the result of a team work, \nof a precise clockwork in which the \ngeneral management, the designing \nteam, the sales work, the technical \nsupport, the quality control, or the \nproject management, bring their \nessential contribution in order to  \nsatisfy our customers.\nDiscover the professionals who,  \nthanks to their efforts, are responsible \nfor the excellence of each product  \nthat reaches your hands\n",9,{"image":49,"text":50,"number":51},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.10.png","8\nreinterpretar, innovar, crear…\n",10,{"image":53,"text":54,"number":55},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.11.png","9\nBlending in a single place the modern meaning  of an elegant \nand minimalist architecture, a serene and motivating \nworking environment that stimulates creativity, and an \nexhibition area  showing some of  Arkoslight’s luminaires in \na smooth and natural succession of examples,   in the most \nperfect and simple way…\nThis was the far from simple task that Francesc Rifé had to \nface when he designed the new Arkoslight central offices \nin Valencia (Spain). We talked with the designer who gave \nshape to the Home of Light, and with Victor Garcia, the \narchitect of this project.\nby FRANCESC RIFÉ & VÍCTOR GARCÍA\nTHE \nHOME OF \nLIGHT\n",11,{"image":57,"text":58,"number":59},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.12.png","10\nThe work is finished. The project you thought of \none day has now become a reality.\nFR: Now that the work is completed, we’re not really \naware of how much time has elapsed, but it’s been an \nintense year indeed, and the change is very significant.\nVG: The professional satisfaction that an architect \nfeels when he looks at a completed work is one of \nthe most intense moments. If, in addition, as it is the \ncase in this project, the final result is a reflection of \nwhat we tried to communicate from the very first \nsketches, then the satisfaction is supreme.\nHow would you define the space you’ve created? \nThis Home of Light.\nFR: The philosophy of our Design Office is very clear, \nthat’s why there was no doubt for us that the space \nwe had to create had to be sober and timeless.  \nA design in which the natural light would flood totally \nthe new work areas, and where technical lighting \nwould become a tool to explain the space.\nVG: The previous conversations held with the owners \nhelped us to understand Arkoslight’s philosophy. \nFrom that moment. the first idea arose: the project \nhad to show that Arkoslight is an industry. We had to \nsucceed in making all the building users feel that they \nare inside a factory, where the product is designed, \nmanufactured and marketed.\nConcerning the interior decoration, how  \ndid you choose the design that defines these \ncentral offices? \nFR:  From the beginning, the project’s aim was \nto integrate the work areas with the showroom, \nthe resting areas, the canteen, and even the \nfactory itself. In order to achieve this, we knew \nthat rather than creating independent modules, \nwe had to create a transition area with the rest \nof the company. This is how a central element of \ntransparency, both transverse and longitudinal, \nwas born; built on two levels, capable of catching \nthe light and allowing us to visually establish \na communication and a dialogue between the \ndifferent spaces.\nthe home of light\n",12,{"image":61,"text":62,"number":63},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.13.png","11\n",13,{"image":65,"text":66,"number":67},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.14.png","12\nlight&life spirit\nCan you please tell us about the role of  \nthe light. The natural one as well as the \nartificial one.\nVG: The dialogue between the natural and the \nartificial light generally creates some tensions. \nMore amount of light does not always mean  \na better lighting…This is why we tried to obtain  \na luminous balance.\nThe central inner courtyard has been designed \nin such a way that there is no direct impact \nof solar radiation, and the hung planter boxes  \ncollaborate in this play of lights and shadows, \nthat takes place for example in the showroom \nat the end of the day . It was crucial to \ncombine these apertures in search of natural \nlight, taking into account the quality offered by \nthe artificial light, to create work spaces.\nFR: As explained by Victor, I would divide the \nproject into the two following main lighting \nconcepts: the natural one and the artificial one \n– the latter being the true hero to which the \ncompany is devoted. \nOne might think that working with natural light \nwas relatively easy, when opening the inner \ncourtyard that floods the rest of the spaces with \nlight; but a careful study was previously carried \nout, in order to allow us to convert the curtain \nwall into a latticework, which in turn, enabled \nus to sub-divide the glazed surface, creating a \nvisually permeable mesh.\nFurthermore, as far as the application of the \nartificial light is concerned, we worked closely with \nthe Technical Department of the company, and  \nachieved a successful and complete integration of \nthe luminaires in the new concept of the areas.\n",14,{"image":69,"text":70,"number":71},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.15.png","13\nthe home of light\n",15,{"image":73,"text":74,"number":75},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.16.png","14\nreinterpretar, innovar, crear…\nAre these concepts related with the choice of the \nmaterials?\nFR: The light always allows us to emphasize the \nchosen materials. In this project, I would mention \ntwo main actors, for which the encounter with the \nlight is unique, even touching: the iron plate and \nthe walnut wood.\nThe walnut wood was conceived under the shape \nof slats of different sections, in order to add the \nfeeling of texture and verticality to the project. \nFurthermore, in the work areas, we complemented \nit with large suspended sound absorbing porcelain \nceilings, in a neutral grey colour.\nVG: Our project cannot be understood without \nmentioning this relationship, as described by \nFrancesc. Being able to combine the coldness \nof the iron with the warmth of the walnut wood, \nand the functionality of the sandstone floor with \nthe textile elements of the false ceiling, was \na challenge. Frankly, I think we succeeded in \nobtaining harmony between all the materials.\n",16,{"image":77,"text":78,"number":79},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.17.png","15\n",17,{"image":81,"text":82,"number":83},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.18.png","16\nlight&life spirit\nThese offices have been spread over two floors  \nand are multifunctional.. How has the project \nmanaged to sort out this particularity?\nFR: We worked closely with the owners on the \nspaces that had to be more communicated or less \ncommunicated. The Technical Office and  the Design \nDepartment, for example, always need  some privacy \nin comparison to the commercial area. We never \nconsidered the double height aspect as a problem, \nbut as an advantage. Actually, it helps separating \nspaces without having to add any dividing element.\nVG: That’s it, and also, we had to make the \ndifference between the areas where Arkoslight’s \nteam works, from the other areas only occasionally \nused, such as the showroom or the meeting  \nspaces… There is a physical separation, but also a \nvisual communication between the spaces - through \nthe link created by the inner courtyard -.\nDifferent spaces and different functions. \nHowever, the building will be mostly used \nto host work areas.\nVG: Without any doubt, the essential aim  \nof our mission was to create harmonious \nand rational spaces, in which all the \ndifferent types of work carried out in \nthat type of company could coexist. \nOpen spaces, without any hierarchy, but \nseparated into Departments.\nFR: Nowadays, workspaces have to be \nunderstood as living areas, and their \ndesign must go in the same direction. \nWe maintain a discourse in which the \ntotal luxury is the space, and I think we \nhave granted these offices a sensation of \nspaciousness, that enables the users to \nwork “luxuriously”.\n",18,{"image":85,"text":86,"number":87},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.19.png","17\nthe home of light\n",19,{"image":89,"text":90,"number":91},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.20.png","18\nthe home of light\n",20,{"image":93,"text":94,"number":95},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.21.png","19\nFurthermore, we can also find a wide showroom \nspread over two levels.\nFR: It is a place created to live the experience, \na place where small atmospheres have been \nrecreated, transmitting very well the energy and \nthe qualities of each product. It is divided into two \nlevels of similar concepts. The lower space, designed \nwith flap doors, includes an area for the training of \nprofessionals; and on the upper part, in addition to \nthe workspaces themselves, we can find a luminous \nsensations lounge, and a networking area.\nVG: The double height area of the showroom has \na volumetric and space quality function. The main \nstaircase is located in this area, and it succeeds in \nblending the showroom with the rest of the project.  \nIt is used as the transmission between the private \nspaces and the exhibition space itself.\nTo conclude, and  focusing  more on the interior \ndecoration, Francesc ... Can you tell us what is  \nthe area that personally satisfies you the most in \nthis project?\nFR: Hmm… Well …It’s difficult to answer. Maybe  \nI could mention the outstanding expressiveness  \nof the central area, in which a big suspended \nmetallic structure incorporates the vegetation.\nBut, well, sincerely … I think I can’t choose any.  \nI would be unfair.\nFor a while, it seemed his answer was over. There \nwas a silence. He abstracted himself and his eyes \nlooked towards infinity.\nFR: No, I can’t. I would not be honest if I said \none area is better than another one; it’s been a \nworthwhile project. He laughed and asked: is it too \npedantic to say this? Well, if you want, maybe you \nshouldn’t write this part.\nWe took the liberty of disobeying...It didn’t seem \npedantic at all to us. What he said was almost \nflattering. Sometimes, not getting an answer means \nmore than the best explanation.\n",21,{"image":97,"text":98,"number":99},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.22.png","20\nW E  A R E  T E C H N I C A L\n“Darkness does not really exist,  \ndarkness it is only the light  \nwe do not see”\nTo technically illuminate is much more than just creating a beautiful \nor functional luminary. It is doing so whilst taking into account the \nhuman activity that is going to be carried out, the amount of light \nrequired, the effect that the type of light will have on the vision of \nthe objects and their surroundings; and moreover the distribution of \nthe light in the area and how the luminary itself will fit into the scene.\n",22,{"image":101,"text":102,"number":103},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.23.png","21\nreinterpretar, innovar, crear…\n",23,{"image":105,"text":106,"number":107},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.24.png","22\nreinterpretar, innovar, crear…\nDURING THE 16TH CENTURY, THE SPANISH EMPEROR \nPHILIP II COINED A FAMOUS PHRASE: “IN MY EMPIRE, \nTHE SUN NEVER SETS”. HE WAS REFERRING TO \nTHE FACT THAT, WHILE IN THE WESTERN END \nOF HIS TERRITORIES (SOUTH AMERICA) THE SUN \nWAS HIDING BEHIND THE PACIFIC OCEAN, IN THE \nOPPOSITE END ( PHILIPPINES), THE KING OF STARS \nWAS STARTING TO RISE FROM THE HORIZON.  \nIN HIS LANDS, IT WAS ALWAYS DAYTIME.\nTHE MARKET WHERE THE\nLIGHT  \nNEVER  \nSETS\n",24,{"image":109,"text":110,"number":111},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.25.png","23\nreinterpretar, innovar, crear…\nToday, the global market in which Arkoslight \noperates is even wider than Philip II’s territories \nat that time.  There are more than 70 countries \nwhere daylight is eternally pursuing darkness, \nendlessly. This means that, at this very moment, \nas you are reading these lines, the light of one  \nof our Company’s luminaires is flooding a  \nplace in the world.\nThis is a merely symbolic fact, but it shows the \nimportance of our presence at international \nlevel, enabling us to offer you all the support \nyou may need, in any place of the world, \nwherever your project is located. We are \nprepared to be your global lighting partner.\n",25,{"image":113,"text":30,"number":114},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.26.png",26,{"image":116,"text":117,"number":118},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.27.png","On the border between Africa and Europe, on \nthe island of Gran Canaria, the “Poema del Mar” \nAquarium has become what may be the most \nemblematic building in the city of Las Palmas.\nAS A LIGHT  \nIN THE WATER\nproject | Acuario Poema del Mar · design | Proyecto Luz · architects | OFS Architects\n",27,{"image":120,"text":121,"number":122},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.28.png","26\nA space for leisure, half way between \na modern interactive museum and a \nspectacular marine park, including \nthe largest curved glass aquarium \nin the world. There you can visit the \nreproductions of 35 underwater \necosystems, from all the latitudes of  \nthe world, in its 12.500 square meters.\nA benchmark for the city, that is also \na reference for the architecture of \nsouthern Europe, mainly thanks to the \namazing lighting project of its façade. \nAlmost 2.000 units of our Led Wall Light \nAlfa, developed ad-hoc, configuring an \nanimated scene of RGB lights with shape \nof 4 spectacular sharks.\nIn addition, each of our luminaires was \nspecifically re-designed for this project: \nwe increased their sealing index, and \nalso a special installation system had \nto be invented to adapt them into the \nformwork of the building façade.\n",28,{"image":124,"text":125,"number":126},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.29.png","27\nas a light in the water\nACUARIO POEMA DEL MAR\nThe result is a landmark work that adorns the pier of  \nSanapú of Las Palmas, giving the city a new postcard image  \nfor this paradise island\nproduct| Led Wall Light Alfa - Custom\n",29,{"image":128,"text":129,"number":130},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.30.png","THE INVISIBLE BLACK IS ARKOSLIGHT’S ANSWER \nTO A TENDENCY NEED IN THE CONTEMPORANEOUS \nARCHITECTURE, IN THE CURRENT LIGHTING DESIGN: \nHIDING THE ORIGIN OF THE LIGHT BY INTEGRATING \nIT INTO THE ARCHITECTURE. THIS IS THE SECRET \nNEVER SHOWN. THIS IS ABOUT ILLUMINATING AN \nAREA, WITHOUT SHOWING THE LUMINAIRE.\nTHE INVISIBLE\n",30,{"image":132,"text":30,"number":133},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.31.png",31,{"image":135,"text":136,"number":137},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.32.png","30\nthe invisible black\nA technical solution aimed to focus the attention on the \nscene, on how the light creates the atmosphere, without \nany interference from the luminaire on the interior design. \nMinimalism, from the light itself.\n",32,{"image":139,"text":140,"number":141},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.33.png","31\nThe highest technical precision, \nconcentrated in a minimal  \ndesign –as small as a lipstick-,  \nwas necessary to obtain  \n‘The Invisible Black’ effect.  \nThe millimetric accuracy of the \nminiaturized components and \nthe high quality -nearly jewelry-, \ndetails of the finishes are the proof \nof the requirement level implied  \nby the manufacturing of any \n‘Invisible Black’ lighting fixture.\nThe  \nhidden light\n*in image, Shot Light.\n",33,{"image":143,"text":144,"number":145},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.34.png","32\n",34,{"image":147,"text":148,"number":149},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.35.png","33\nthe invisible black\nBANG & OLUFSEN SHOP\nIn this Bang & Olufsen store, it was necessary to highlight the Danish brand’s high-\nfidelity sound equipment in relation to the rest of the elements of the inside. ‘The \nInvisible Black’ effect was the perfect solution for illuminating the products exposed \non island exhibitors. The best highlighting - achieved through the light -, with the least \npossible elements introduced on the scene.\ndesign | Alfredo Monzó · product | Shot Light\n",35,{"image":151,"text":152,"number":153},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.36.png","34\nASH SHOP\nAt No. 39 Marylebone High Street in London, between \nRegent’s and Hyde Park, we can visit the select shoe \nshop of the Italian firm ASH. Sober and elegant, all \nthe superfluity outside the highlighting of the product \nhas been reduced. The lighting, in black contrast to \nthe gold of the ceiling -ASH’s personality symbolic \ncolour- is distributed on a grid of black holes from \nwhich the light is emitted  punctually. All this without \nbeing glared, thanks to ‘The Invisible Black’ effect and \nits outstanding visual comfort.\ndesign | Francesc Rifé · product | Shot Light\n",36,{"image":155,"text":156,"number":157},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.37.png","35\n",37,{"image":159,"text":160,"number":161},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.38.png","36\nthe invisible black\nApplied in linear arrangements, ‘The Invisible Black’ effect \nresults in the impossibility of differentiating the segments that \nemit light from those that do not. The effect obtained is an \nhomogeneous dark line throughout its course which, however, \naccentuates the lighting of the desired scenes.\n",38,{"image":163,"text":164,"number":165},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.39.png","37\nthe invisible black\n",39,{"image":167,"text":168,"number":169},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.40.png","38\nthe invisible black\n",40,{"image":171,"text":172,"number":173},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.41.png","39\nthe invisible black\nThe light source is clearly set back \nto avoid direct vision of the LED  \nand its reflector. The perfect \ndefinition of the beam of light,  \nas well as the technical black screen \nfinish - that absorbs the minimum \nlosses - allows the luminaire to \nalways have the same appearance, \nwhether it is switched on or off.\n*in image, Black Foster.\n",41,{"image":175,"text":30,"number":176},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.42.png",42,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.43.png","PERFECTION\nTHE SIMPLE \nEIGHT MODELS, FOUR SIZES, SIX \nCOLOURS. ROUND OR SQUARE \nFORMAT. WITH A SYMMETRICAL  \nOR ASYMMETRICAL EMISSION OF  \nTHE BEAM OF LIGHT.\nThe most complete range of recessed \nspotlights on the market, adorned by pure  \nand limpid aesthetics.\nThe success of Swap reveals how a simplicity \nof perfect essence turns into an indispensable \nluminaire, a timeless piece, that today has \nalready become a classic of minimalism.\n",43,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.44.png","42\nThe ingenuity of a concept: \nthe extra bezel\n",44,{"image":186,"text":187,"number":188},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.45.png","43\n+ extra bezel\n+ extra bezel\n+ extra bezel\n+ extra bezel\nA design that is both simple and innovative. The complementary \nbezel allows each of the different sizes of Swap to be adapted \nto the required embedding diameter, up to a maximum obtained \ndiameter that will correspond to the next larger model size.  \nIn this way, from size S to XL, Swap offers an option for all \ndiameters for which it needs to be installed. This permits to easily \nreplace any type of pre-existing luminaire, without the need for \nany work in the ceiling.\nThis is an optional use solution, since the appearance of the piece \nwithout this complement is even purer. However, the expandability \ncapacity that this extra bezel gives to Swap, as a product line, \nis an advantage that makes it different.\nWe also have to mention the high technical specifications, such as \nthe Super-CRI colour reproduction, the MacAdam Step 2 stability \nin the colour temperature, or the high IP54 sealing. These features \nallow Swap to emerge victorious from any comparison with any \nequivalent lighting fixture to which it may be submitted.\nswap: the simple perfection\n",45,{"image":190,"text":191,"number":192},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.46.png","44\nTo the simple perfection of Swap, \nwe added a functionality to be more \ncomplete: the orientability.  \nWith Pointer, which shares Swap’s \ncommon language in terms of design \nand aesthetics, we have obtained \nthe versatility of modifying the beam \ndirection of light as many times as \nyou wish. All this, without any need \nfor tools, only through a simple and \nsmooth manual action.\nAim the light. \nWherever you want. \nWhenever you want.\n",46,{"image":194,"text":195,"number":196},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.47.png","45\n",47,{"image":198,"text":199,"number":200},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.48.png","From the Latin paene, “almost” and \numbra, “shadow”. The penumbra is \nthe area of weak shadow between \nlight and total darkness. In that area, \nnearly in the darkness, is where our \nLex Eco Blue light of presence lays.\nA dim blue colour clarity that \nappears when you turn off the main \nillumination system of this singular \nluminaire. Its function is to slightly \nbathe the room to offer a minimum \nlight, with the strict functionality \nof enabling us to identify the \nvolumes present in the space, but \nat the same time, strong enough to \ncreate an atmosphere of attractive \nsuggestion – soaked with lapis  \nlazuli soot – almost dreamlike.\nTHE PENUMBRA\nBLUE\n",48,{"image":202,"text":30,"number":203},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.49.png",49,{"image":205,"text":206,"number":207},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.50.png","Surrounded by the legend of history, in the cradle \nof Western civilization. When the Lambs & Lions \nstudio from Berlin took over the design of this \nThomas Cook Group holiday hotel on the Greek \nisland of Rhodes, the highest quality premise for the \ncreation of this dream space was defined.\nTHE PLACE \nWHERE THE \nWEST WAS \nBORN\nproject | Casa Cook Hotel Greece · concept | Michael Schickinger · setstyling | Annabell Kutucu\n",50,{"image":209,"text":210,"number":211},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.51.png","49\n",51,{"image":213,"text":214,"number":215},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.52.png","50\ncasa cook hotel greece\n",52,{"image":217,"text":218,"number":219},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.53.png","51\nFrom all the roles that \narchitectural light plays, \ncontributing to human well-\nbeing (when not even to \npleasure) is one of the most \ngratifying and rewarding goals. \nOnly based on a maximum \nquality standard, an excellent \ndesign and the finest sense of \ninterior design, it is possible \nto see places such as this one \nmade reality.\nWhen the long Greek summer \nevening ends on this part of \nthe island, the night descends \non the hotel and, far from the \nlighting pollution of the big \ncities, only the sky and the \nneat lighting give light with \ntheir magic to this little corner \nof Olympus on the Earth.\n",53,{"image":221,"text":222,"number":223},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.54.png","52\n",54,{"image":225,"text":226,"number":227},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.55.png","53\nCASA COOK HOTEL RHODES\nThe hotel boutique Casa Cook Rhodes is certainly one  \nof the finest luxury hotels in the Dodecanese Archipelago and \nall the Mediterranean Sea.\nproducts | Top, Shot Light\ncasa cook hotel greece\n",55,{"image":229,"text":230,"number":231},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.56.png","A S\nL\nG S\nT H R O U G H  T H E\n",56,{"image":233,"text":234,"number":235},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.57.png","Among the ways of leading \nthe light outwards, doing it \nthrough the optical glass lens \nof some of our products is \npure differentiation.\nJust like Alice in her tale,  \nlight too, crossing the \nthreshold of the glass, will \ndiscover a bunch of wonders: \nits uniform distribution,  \nits soft visual comfort… and \nno disturbing glare at all.  \nThe magnetic beauty of a \nlimpid and transparent sphere \nwill be revealed to the eyes of  \nthe observer. The very \naesthetics of purity.\n",57,{"image":237,"text":238,"number":239},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.58.png","56\n",58,{"image":241,"text":242,"number":243},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.59.png","57\nthrough the glass\nGrowing, diminishing, \nintegrating itself.\nAs among other luminaires, the glass sphere is present \nin Puck - which is available in different sizes. These \nsizes allow us to play by combining them, or to choose \nthe size that best suits the proportions of the rest of \nthe elements of the inside decoration.\nIt is also available either in recessed version or in \nsurface version, so that it can be installed in any \nproject, without any limitation.\n",59,{"image":245,"text":30,"number":246},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.60.png",60,{"image":248,"text":249,"number":250},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.61.png","59\nThe beauty of this lens, endowed with an essential geometry, \ndoes not interfere in its excellent capacity of resistance \nagainst water, humidity and other external agents.\nAs in the case of Duomo (* in image), some of our luminaires \nequipped with an optical glass sphere are able to withstand \nthe penetration of solid and liquid elements in some of the \nmost extreme conditions for indoor spaces.\nThe light of wonders\nthrough the glass\n",61,{"image":252,"text":253,"number":254},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.62.png","When talking about interior design for retail, \nlighting is a fundamental aspect. When the point \nof sale is the scenario of the purchase decision, and \nthis decision in many cases is an emotional choice, \nthe light of the store can be a differential factor for \nthe customer to fall in love with the product.\nLIGHT, \nEMOTION...\nproject | Bulthaup Showroom, Valencia · design | Alfredo Monzó · architect | Rubén Muedra\n",62,{"image":256,"text":30,"number":257},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.63.png",63,{"image":259,"text":260,"number":261},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.64.png","62\nlight&life spirit\nThis premise is embodied in a paradigmatic way in the showroom \nof the German luxury kitchen firm, Bulthaup, in Valencia (Spain). \nThe brand puts all its love into the details of its products and \ndesigns. After so much effort, outstanding its commercial virtues \nby means of the lighting is an indisputable advantage.\nIn order to achieve this, Arkoslight offered in this case the support \nof its Project Department, which carried out a customized lighting \nstudy for this shop, in order to obtain the best presentation of \nthe product and the best customer experience.\n",64,{"image":263,"text":264,"number":265},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.65.png","63\nlight, emotion...\nBULTHAUP SHOWROOM, VALENCIA\nBecause only lighting professionals can give the best support  \nto trade professionals.\nproducts | Flap, Drum, Thor, Salt, Spin, Swap, Orbital Trimless, Zen Tube\n",65,{"image":267,"text":268,"number":269},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.66.png","MO\nRE\nLESS\nIS\nIN THE PURITY OF SHAPES, \nIN THE CLEARNESS OF THE \nCOMPOSITIONS AND STRUCTURES \n... IN THE ELIMINATION IN THE \nDESIGN OF ANY ELEMENT THAT IS \nNOT STRICTLY NECESSARY. IN THIS \nLIES THE BEAUTY WHICH SIMPLY \nIS “THE MANIFESTATION OF THE \nTRUTH”, ACCORDING TO THE \nWORDS OF MIES VAN DER ROHE.\n",66,{"image":271,"text":30,"number":272},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.67.png",67,{"image":274,"text":275,"number":276},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.68.png","66\nThe minimalist design, which \ndivests the objects of any \nornament hiding their essential \nidentity, is the very expression \nof a modernity that is no longer \niconoclastic, but rather chooses \nto be timeless and keeps its \naesthetic value over the years.\nVisual order, proportion, \ngeometry and a rigorous neutral \nuse of the colour and material.\nMore than the result itself, \nthe simplicity is what better \nidentifi es these lighting fi xtures. \nA fundamental principle that \ndefi nes the discourse behind the \nreason for being of these pieces.\nless is more\n",68,{"image":278,"text":279,"number":280},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.69.png","67\n",69,{"image":282,"text":283,"number":284},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.70.png","68\nlight&life spirit\nART SHOP\nFor the lighting project of this shop, iO Surface’s standard opening angles were too wide for the customer’s needs. \nArkoslight Design team developed for that case a version with a ‘projection definer’ in order to obtain more concentrated \nbeam light angles. In this way, the objects to be displayed were much better highlighted on the illuminated wall.\ndesign | Alfredo Monzó · product | iO Surface - Custom\n",70,{"image":286,"text":287,"number":288},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.71.png","69\nless is more\nRESIDENCIA SC\nIn this house, modern art floods the walls with its elegance. In order to reach an \nexquisite contemplation, several units of iO have been distributed along a surface \ntrack, in parallel with the works of art, to accentuate their highlighting.\ndesign | Estudio Calma · product | iO\n",71,{"image":290,"text":291,"number":292},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.72.png","70\nSIZING \nTO SET THE DESIGN FREE\nTHE “DOWNSIZING” CONCEPT IS ONE OF THE MOST POPULAR \nTRANSVERSAL TRENDS IN INDUSTRIAL PRODUCTION, IN ALL \nSECTORS. FROM THE AEROSPACE TO THE AUTOMOTIVE INDUSTRY, \nTHIS IS THE GLOBAL PHENOMENON WHOSE AIM IS TO REDUCE THE \nSIZE OF THE COMPONENTS AS MUCH AS POSSIBLE, IN ORDER TO \nOPTIMIZE THEM, AND MAKE THEM MORE EFFICIENT, LIGHTER…\n",72,{"image":294,"text":295,"number":296},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.73.png","71\n*en imagen, un convertidor de corriente constante  \na voltaje constante (CV\u002FCC), de sólo 2 centímetros.\n",73,{"image":298,"text":299,"number":300},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.74.png","48Vdc, the milestone\nIn the lighting sector, the \n“downsizing” trend has gone \nthrough a turning point which \ntook place when a new paradigm \nbroke out: low voltage. Mainly \napplied in tracking systems,  \nit has implied the increase and \ngeneralization of the use of \n48Vdc, replacing the voltage \nof domestic electrical networks \n(between 110Vac and 240Vac, \ndepending on the region of  \nthe world).\nChoosing to supply the tracks  \nwith 48Vdc means using a single \nAC \u002F DC power source for the \nentire system, which frees each \nluminaire from having to be \nequipped with a driver that fulfills \nthis function individually. In this \nway, for each piece, the number of \ncomponents needed is reduced,  \nas well as their size... And the design \nis not limited anymore by many \nrestrictions that prevented the \nminiaturization of the luminaires.\n",74,{"image":302,"text":30,"number":303},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.75.png",75,{"image":305,"text":306,"number":307},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.76.png","74\ndownsizing to set the design free\nDesign, without limits\nNow, the range of possibilities for creating smaller and \nmore compact spotlights is much wider. And the freedom \ngranted to our designers to create spectacular new \nmodels allows us to talk about the present and to foresee \na future full of illusions.\n",76,{"image":309,"text":310,"number":311},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.77.png","75\n",77,{"image":313,"text":314,"number":315},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.78.png","76\ndownsizing to set the design free\n",78,{"image":317,"text":318,"number":319},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.79.png","77\nThe 48V downsizing system prevents the track from \nbecoming an intrusive element in the interior design \nand produces a smooth and pleasant effect. \nThe lighting fixture then turns into a minimalist and \nnon-invasive element.\nUnobtrusive integration \nin the architecture\n",79,{"image":321,"text":322,"number":323},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.80.png","78\nAN ACCENT, A DETAIL MAKING SURE THAT AN INTERIOR ELEMENT \nIS HIGHLIGHTED COMPARED TO OTHERS. THIS IS THE FUNCTION \nOF A PROJECTOR. THIS IS THE TYPOLOGY OF LUMINAIRES THAT \nACHIEVE THE EFFECT OF HIGHLIGHTING AN ITEM IN A SPACE, AND \nSUCCEED IN DRAWING THE OBSERVER’S ATTENTION, DEFINING  \nA HIERARCHY BETWEEN THE OBJECTS.\nPRO \nJECTED \nLIGHT\n",80,{"image":325,"text":326,"number":327},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.81.png","79\n",81,{"image":329,"text":330,"number":331},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.82.png","80\nThe range of possibilities in the \nworld of projection is very wide. \nFrom the smallest illumination \ndevice that is able to define the \nimportant items in small scenes,  \nto the most powerful units that \ncan flood – from elevated heights – \nthe chosen places with light.  \nBut also spotlights with adjustable \nlenses, capable of drawing either \nconcentrated or wide beams of \nlight, according to your wishes.\nprojected light\n",82,{"image":333,"text":334,"number":335},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.83.png","81\n",83,{"image":337,"text":338,"number":339},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.84.png","82\n",84,{"image":341,"text":342,"number":343},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.85.png","83\nA carefully selected LED, a body with suggestive lines, \nwhich manages the temperature in an excellent way, an \narticulated arm allowing a wide freedom of movement \nand a collimation lens that shapes and uses the luminous \nflux in an extraordinary way. These are the components \nof a perfect whole that make up Six - Good Design 2018 \n& German Design Award Winner 2019 -.\n",85,{"image":345,"text":346,"number":347},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.86.png","84\n",86,{"image":349,"text":350,"number":351},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.87.png","85\nMUSEU DE CERÀMICA DE L’ALCORA\nSix illuminates in an elegant way the Museum exhibition of  ‘Alcora,  \nthe illustrious ceramics’, in Castellón (Spain).\ndesign | Maqla Arquitectura · product | Six\nprojected light\n",87,{"image":353,"text":30,"number":354},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.88.png",88,{"image":356,"text":357,"number":358},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.89.png","THE INDISPUTABLE PROTAGONISTS OF THIS LIGHTING EFFECT \nARE, IN THEIR MAJORITY, SUSPENDED PIECES, PROVIDING \nEVEN MORE EGOTISM TO THE ILLUMINATED OBJECTS.\nIN THE UNIVERSE OF WORDS, THE ACCENT EMPHASIZES \nA LETTER OR A SYLLABLE: A PHONIC SEQUENCE THAT IS \nPRONOUNCED DIFFERENTLY OR STRONGER THAN THE \nOTHERS. IN THE LIGHTING LANGUAGE, THE ACCENT LIGHT \nHAS A SIMILAR FUNCTION: TO EMPHASIZE AN ELEMENT OF \nTHE INTERIOR DECORATION, TO DIRECT A HIGHER INTENSITY \nOF LIGHT ON A PRECIOUS OBJECT OR A CONCRETE SPACE.\n*in image, Spin iluminates  ‘The Guest’ by Rolito, figurine. \nLarge Model. Limited Edition.\n",89,{"image":360,"text":361,"number":362},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.90.png","88\n",90,{"image":364,"text":365,"number":366},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.91.png","89\nlighting accent\nIn this typology of products, not only a high technical \nperformance of the luminaires is required, but also a \ndecorative elegance, which is vital.\n",91,{"image":368,"text":369,"number":370},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.92.png","90\nlight&life spirit\nCASA TANGENTE \nIts use in high-rise spaces is a very appropriate architectural \nresource to enhance the magnificence of the volumes or to link \nspaces in different planes.\ndesign | Rubén Muedra · product | Spin\n",92,{"image":372,"text":373,"number":374},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.93.png","91\nlighting accent\nDG3 GASTRONOMA SHOWROOM\nWithout any doubt, the possibility of carrying out projects in  \nwhich the luminaire has a considerable suspension distance confers  \na spectacular appeal to the spaces.\nproduct | Spin\n",93,{"image":376,"text":30,"number":377},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.94.png",94,{"image":379,"text":380,"number":381},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.95.png","WHEN EVERYTHING HAS ALWAYS BEEN DONE THE SAME \nWAY, IT IS DIFFICULT TO IMAGINE ANYTHING DIFFERENT. WE \nWONDER: COULD THE CLASSIC HANGING INDUSTRIAL BELL \nBE REBORN AS A DESIGN ELEMENT? SALT IS THE ANSWER.\nREINTERPRETING\nCREATING…\n",95,{"image":383,"text":384,"number":385},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.96.png","94\nAn elegant and cared to detail \nluminaire, capable of fulfilling the \nfunctions of general lighting from \nelevated heights, which generally \nwere assumed by luminaires whose \naesthetics are much rougher.\nAnd Salt is not the exception, \nbut the example. Reinterpreting \ntechnical lighting, from the “design \nthinking” concept, in order to obtain \nnew innovative and unique lighting \nfixtures, is the spirit of Arkoslight, \nas a producer of technical lighting \nsolutions for the architecture.\nBODEGA CAVES CARRIÈRE\ndesign | Godart + Roussel Architectes · product | Salt\n",96,{"image":387,"text":388,"number":389},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.97.png","95\n",97,{"image":391,"text":392,"number":393},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.98.png","“FORM EVER FOLLOWS FUNCTION.  \nTHIS IS THE LAW.”*\nTHE GOLDEN WEDDING BETWEEN\nThese were the words of Louis H. Sullivan, the American \nrationalist architect who coined for the first time what is \ntoday the quintessential maxim of contemporary design \nand architecture: “form ever follows function”. The \nornament without functionality is useless and the shape \nof the object must be justified by its usefulness.\nIn Slimgot (*in image), the shape of the truncated pyramid \nis a paradigmatic example of orthodoxy to Sullivan’s \ncommandment. The optimization of the luminous flux is \nthe reason for its shape.\n*Sullivan, Louis H. (1896). “The Tall Office Building Artistically Considered”. \nLippincott’s Magazine (March 1896): 403–409.\nSHAPE & \nFUNCTION\n",98,{"image":395,"text":30,"number":396},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.99.png",99,{"image":398,"text":399,"number":400},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.100.png","98\nlight&life spirit\nLight has always been a \nhighlighter of architecture; \na pencil of luminous lines \nto emphasize the spatial \nguidelines, the directions of \ntransit, the shapes...\nProfiles are the type of \nproducts that best respond \nto this intention, the drawing \npen that supports what the \narchitect or the designer \nwants to tell us. A product \nconceived, above all, to fulfill \nthat delineating function.\n",100,{"image":402,"text":403,"number":404},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.101.png","99\nthe golden wedding between shape and function\n",101,{"image":406,"text":407,"number":408},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.102.png","Since the 20’s of the last century, there has been \nan extended consensus among psychologists and \nresearchers on the fact that workplace conditions \nhave a significant impact on the workers well-being \nand, therefore, on their performance at work.\nproject | Oficinas SP·Berner · design | Rubén Muedra\nWORKPLACE WELL-BEING:\nA PROFITABLE\nINVESTMENT\n",102,{"image":410,"text":411,"number":412},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.103.png","101\n",103,{"image":414,"text":415,"number":416},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.104.png","102\nlight&life spirit\nThe light is one of the factors \nthat contribute to the creation of \nthese optimal work environments \nthat are necessary to increase the \nproductivity and performance of \nthe staff, through the existence  \nof a space that encourages the \nwell-being of the worker. A lighting \nproject intended for professional \nspaces seeks to design friendly  \nand ergonomic facilities, adapting \nthe illumination to the specific  \nneeds of each workplace.\nIn these central offices of the firm \nSP-Berner, the dialogue between \nnatural light and artificial lighting,  \nthe influence of the colour \ntemperature on the mood, the \nadequate amount of light needed \nfor each workplace, the capacity \nfor concentration, creativity, ... are \nelements on which the light has an \ninfluence, making the needle of the \nbalance between well-being and \ndiscomfort tilt on the positive side.\nIt may seem a little negligible, \nbut the collateral effects of work-\nrelated stress are inefficiencies for \nthe companies and disadvantages \nfor the health of their employees. \nHeath problems that can go from \nhypertension, metabolic disorders \nor emotional instability, to attention \ndeficit problems, aggressiveness  \nor sleep disorders.\n",104,{"image":418,"text":419,"number":420},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.105.png","103\nworkplace well-being: a profitable investment\n",105,{"image":422,"text":30,"number":423},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.106.png",106,{"image":425,"text":426,"number":427},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.107.png","105\nILLUMINATING\nTHE LIGHT, PERCHED. LOWERED FROM ABOVE, BORN AGAIN FROM THE \nWALL, TO COVER IT, TO BE THE MOST DELICATE FORM OF ILLUMINATING: \nINDIRECTLY. ITS USE ON THE WALLS OF THE ROOMS ALLOWS THIS \nTYPOLOGY OF LUMINAIRES TO OFFER A BETTER VISUAL COMFORT, \nWHILE GIVING MORE IMPORTANCE TO THE VERTICAL PLANES - IN ADDITION \nTO A DEPTH EFFECT OF THE CEILINGS.\nPERCHING,\n",107,{"image":429,"text":430,"number":431},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.108.png","106\n",108,{"image":433,"text":434,"number":435},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.109.png","107\nperching, illuminating\nWith a good visual comfort as an allied advantage, the \nperceived quality, the fineness in the finish, its design,  \nthe shapes and proportions prevail in them more than \nin any other line of products, precisely thanks to their \nhigher aesthetic impact on interior design.\n",109,{"image":437,"text":438,"number":439},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.110.png","108\nlight&life spirit\n",110,{"image":441,"text":442,"number":443},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.111.png","109\nHOME CINEMA\nIn this living-room, created for home cinema performances, the illumination had  \nto be sufficient for everyday functionality, but extremely comfortable in order \nnot to interfere with the audiovisual experience. A high luminous flux dimmable  \nwall-washer was the perfect solution.\ndesign | Alfredo Monzó · product | Rec\nperching, illuminating\n",111,{"image":445,"text":446,"number":447},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.112.png","ES GIBT \nNICHTS \nVERGLEICH \nBARES\n“Es gibt nichts Vergleichbares” is Porsche’s \nslogan in German. In English it means \n“There is no substitute”, and it expresses the \nexclusivity and uniqueness of the luxury \nsports car firm.\n",112,{"image":449,"text":450,"number":451},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.113.png","111\n",113,{"image":453,"text":454,"number":455},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.114.png","112\nBorn and still located in Stuttgart  \n–the German capital of Engineering-, \nPorsche is the synonymous of the \nhighest technical and cutting edge \ndemands in the automotive world.\nThat strict level of self-requirement \nis part of the corporate culture of \nPorsche and goes beyond the car \nmanufacturing itself. It extends to \neverything in the company, to every \ndetail. Also, to its ‘Porsche Centers’, \nto the brand’s concessionaires \naround the world.\nIlluminating for retail of premium \nbrands is one of the culminations \nof technical lighting, where the \nqualities of the light acquire the \nhighest importance.\nThe fidelity in the reproduction \nof the colours, the high level of \nluminance required - sometimes \nfrom elevated heights -, and the \nmaximum uniformity when a large \nnumber of units is installed, are a \nchallenge that can only be taken  \nup  by the best manufacturers,  \nthe only ones capable of offering  \na top lighting quality product.\nFor that reason, when important \ninternational companies such as \nPorsche approach a project of a \nnew concessionaire, only the best \nindustrial suppliers are granted  \nthe access.\n",114,{"image":457,"text":458,"number":459},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.115.png","113\n",115,{"image":461,"text":462,"number":463},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.116.png","REA\nDING\nNEXT TO MORPHEUS\n",116,{"image":465,"text":466,"number":467},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.117.png","We do it every night, but falling \nasleep is the only daily action that \nwe cannot remember: we do not \nknow exactly how it happens.\nTo accompany our circadian \nrhythms, we reduce the \nstimulation around us and try to \nfind elements that will help us \ndrive our autonomous sensory \nresponse to sleep. One of them is \nthe pleasure of reading in bed.\nLighting for this purpose, implies \nbringing the light to the reading \narea, but also protecting from this \nlight the person who eventually \nis resting on the other side. This \nseems obvious, but achieving  \nthis function confirms the \nmeaning of the entire optical \nsystem design of our head-board \nluminaire, Dream.\n",117,{"image":469,"text":30,"number":470},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.118.png",118,{"image":472,"text":473,"number":474},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.119.png","117\nreading next to morpheus\nIn addition to being designed to meet all the demands of \nits functionality, Dream also assumes the identity of an \ninterior design object born to live in the bedroom.\nIts sinuous shape, and the silky material of its silicone \nskin, suggests the sensation produced when touching it: \nsoftness. It is the ineffable magnetism of a piece that has \na technical soul and a decorative personality.\n",119,{"image":476,"text":477,"number":478},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.120.png","118\nTHE SPECTACULAR LIGHTING\nTHE NADIR IS THE OPPOSITE POINT TO THE ZENITH, THE LOWEST \nPLACE IN A SPACE. THE LIGHT THAT COMES OUT FROM THIS \nPOSITION (FROM BELOW) IS IN MANY CASES THE LIGHT USED FOR \nSHOWS.  IT IS USED TO HIGHLIGHT THE MONUMENTALITY AND THE \nPRESENCE OF CERTAIN ELEMENTS OF A SCENE.\nNADIRAL\nLIGHT\nIn this artistic performance, our Dark luminaire brought us the \ntheatrical drama that the message required: an allegory about magical \nrealism. A representation of the strange and surprising, as a part of the \neveryday life, showing us in which way the light is able to tell us stories, \nto provide a discourse and to add a meaning.\n",120,{"image":480,"text":481,"number":482},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.121.png","119\n",121,{"image":484,"text":485,"number":486},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.122.png","120\nSignage lighting’s aim is to \nmark paths or passage areas \nin a suggestive way, with the \nminimum light interference. \nThese lighting fixtures are \nnot intended to execute any \nfunctional lighting; their aim \nis only to show the limits of \na transit area or the volumes \nwhere they are installed.\nnadiral light, the spectacular lighting\n",122,{"image":488,"text":30,"number":489},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.123.png",123,{"image":491,"text":30,"number":492},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.124.png",124,{"image":494,"text":495,"number":496},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.125.png","Arkoslight is probably the most awarded lighting \ncompany of the last few years for its design. \nThese marks are an external recognition of the \ncompany and its luminaires; a mark of quality \ngranted by some of the most outstanding \nprofessionals from the lighting, design and \narchitecture sectors, who stand on the different \njuries for these awards.\n",125,{"image":498,"text":499,"number":500},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.126.png","SHOT LIGHT \n2017\nSIX \n2018\nIO \n2017\nPOINTER \n2018\nFLAP \n2016\nDRUM \n2016\nIO \n2017\nSHOT LIGHT \n2018\nDRUM \n2016\nSWAP \n2015\nFLAP \n2016\nIO \n2016\nTHOR \n2015\nLARK-111 \n2014\nSALT \n2015\nAURAE \n2014\nSPIN \n2015\nSLIMGOT \n2014\nSLIMGOT \n2014\nSTRAM \n2014\nDROP \n2015\nZEN \n2014\nZEN \n2013\nLEX ECO \n2012\nSKY \n2015\nZEN \n2014\nFLAP \n2016\nLEX ECO \n2012\n4 REDDOT DESIGN AWARD\n2 GOOD DESIGN\n2 DESIGN PLUS\n7 A’DESIGN AWARD\n6 IF DESIGN AWARD\n7 DELTA AWARDS\n*\n*\n*\n*\n*\n",126,{"image":502,"text":503,"number":504},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.127.png","TOP \n2018\nPOINTER \n2017\nPOP UP \n2017\nSIX \n2019\nSHOT LIGHT \n2017\nTHOR \n2016\n*\n*\n*\n*\nPUCK \n2017\nSPIN \n2016\nOLYMPIA \n2017\nSALT \n2016\nTHOR \n2016\nSWAP \n2016\nLARK-111 \n2016\nSPIN \n2016\nSLIMGOT \n2016\nIO \n2017\nZEN \n2014\nFLAP \n2017\n2 ARCHIPRODUCTS DESIGN AWARDS\n1 EUROPEAN PRODUCT DESIGN AWARD\n2 PREMIOS ADCV\n1 PREMIO BIENAL IBEROAMERICANA DE DISEÑO\n7 GERMAN DESIGN AWARD\n5 ICONIC AWARDS\n*\n*\n*\n* Selected & Nominees\n",127,{"image":506,"text":507,"number":508},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.128.png","SHOT LIGHT \n3 AWARDS\nLEX ECO \n2 AWARDS\nSTRAM \n1 AWARD\nSIX \n2 AWARDS\nSWAP \n2 AWARDS\nOLYMPIA \n1 AWARD\nPOP UP \n1 AWARD\nZEN \n4 AWARDS\nPOINTER \n2 AWARDS\nDROP \n1 AWARD\niO \n4 AWARDS\nTHOR \n3 AWARDS\n",128,{"image":510,"text":511,"number":512},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.129.png","SLIMGOT \n3 AWARDS\nSPIN \n3 AWARDS\nTOP \n1 AWARDS\nLARK-111 \n2 AWARDS\nFLAP \n4 AWARDS\nAURAE \n1 AWARD\nPUCK \n1 AWARD\nDRUM \n2 AWARDS\nSALT \n2 AWARDS\nSKY \n1 AWARD\n",129,{"image":514,"text":515,"number":516},"\u002Fmedia\u002Fimages\u002Fa9\u002F8b9e011308e29e2af0f9a05aee3495.130.png","Calle N · Pol. 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EL OLIVERAL\n46394 Ribarroja del Turia · Valencia (Spain)\nTel. +34 961 667 207 · Fax +34 961 667 054\ninfo@arkoslight.com · www.arkoslight.com\nFrance: +33 182 885 200 · Italia: +39 02 9475 0007\nRAMÓN OTERO \nProyecto Acuario Poema de Mar\nDAVID ZARZOSO \nProyecto Ash\nGEORG ROSKE \nProyecto Hotel Casa Cook\nADRIÁN MORA \nProyectos Casa Tangente y Sp·Berner\nJONAS JACQUEL \nProyecto Caves 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