[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-alias-salone-del-mobile-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":189},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":184,"matched_pages":185,"match_count":186,"two_pages":187,"show_text":188},13021,"Salone del Mobile 2023","alias-salone-del-mobile-2023","\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F4d\u002F35cddaf414563460b5bf6a8d905033-2732c16762.pdf","Alias",952,"alias","8.3 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77,81,85,89,93,97,101,105,109,113,117,121,125,129,133,137,141,145,149,153,157,161,165,169,173,177,181],{"image":7,"text":15,"number":16},"Alias was born in 1979 with the aim of being different through avant-garde and unique products.  \nWe prioritise creativity and functionality over temporary trends, seeking new interpretations with cu-\nriosity. In 2023, Alias returns with a contemporary expression of its visionary spirit, reflecting the fast \nand continuous changes of this “Information Age”. We involve a complementary team, emphasising \nintellectual value over flashy graphics, and embracing open-minded experimentation in shapes, materials, \nand performances. Today, Alias still believes in a synergy between functionality and artistry, in the \nquest for “Something Else.”\nAlias was born in 1979 with the aim of being different through avant-garde and unique products.  \nWe prioritise creativity and functionality over temporary trends, seeking new interpretations with cu-\nriosity. In 2023, Alias returns with a contemporary expression of its visionary spirit, reflecting the fast \nand continuous changes of this “Information Age”. We involve a complementary team, emphasising \nintellectual value over flashy graphics, and embracing open-minded experimentation in shapes, materials, \nand performances. Today, Alias still believes in a synergy between functionality and artistry, in the \nquest for “Something Else.”\n1\nManifesto\n3\nArchive\n33\nSomething Else\n61\nNovelties 2023\n70\nProducts’ update 2023\n76\nVisual research\n1\nManifesto\n3\nArchive\n33\nSomething Else\n61\nNovelties 2023\n70\nProducts’ update 2023\n76\nVisual research\nJournal  04.2023\nJournal  04.2023\nSomething Else\nSomething Else\nSalone del Mobile 2023, Milano IT\nSalone del Mobile 2023, Milano IT\n18.04 —  23.04\n2023\n18.04 —  23.04\n2023\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.2.png","1\nALIAS\n2023\nMANIFESTO\nEN\nIT\n \nAlias nasce nel 1979 dal bisogno e dal desiderio di distin-\nguersi dagli altri. Fin dal primo giorno, si impone la sfida \ndi raggiungere questo obiettivo con prodotti sofisticati, \ninsoliti e all’avanguardia, che generano interesse grazie \nalle caratteristiche intrinseche di unicità e sperimenta-\nzione. Alias non si è mai focalizzato sui trend del momen-\nto, ma ha sempre guardato al presente con curiosità e \naspirazione, alla scoperta delle più interessanti interpre-\ntazioni di creatività e funzionalità. Alias è definito da un \nDNA multiforme che si avvale di innumerevoli mani, men-\nti, visioni, formazioni e storie, unite in un unico spirito. \nLa diversità di un singolo linguaggio è la ricchezza della \nstoria del brand. Oggi Alias ritorna come espressione di \ntransizione culturale; lo spirito visionario che lo contrad-\ndistingue dalla nascita riemerge in chiave contempora-\nnea. Se nel 1979 Alias reinterpretava il postmodernismo, \nil razionalismo, la nascita del PC moderno e la rivoluzio-\nne tecnologica, nel 2023 Alias riflette gli infiniti, veloci e \ncontinui cambiamenti del nostro tempo avvalendosi di un \nnuovo linguaggio.\n \nAlias trova una nuova occasione per portare avanti il suo \nobiettivo originario, e ancora una volta pone l’attenzione \nsui valori intellettuali del design, in particolare: \n \nAffiancarsi a un team eterogeneo e complementare che coinvolge tutti i campi, come \nl’architettura, la grafica e l’arte, per prendere parte ad una \ndiscussione aperta sui principi del design contemporaneo.\nMettere in luce il pensiero che si cela dietro al progetto di design, prediligendo conte-\nnuti densi e intellettualmente rilevanti con supporti grafi-\nci meno appariscenti.\nImpegnarsi in una costante ed aperta sperimentazione di forme, materiali e funziona-\nlità, ed apprezzare il valore del processo creativo come \ncatalizzatore di possibilità inaspettate.\n \nOggi Alias rimane audace e continua a credere, e a dimo-\nstrare, che esiste una sinergia tra aspetti creativi e ope-\nrativi, guidando la sua visione tra funzionalità e arte, alla \nricerca di Something Else. \nAlias was born in 1979 from the need and desire to be dif-\nferent. Since day one, Alias set itself the challenge to \nachieve this goal with advanced, unusual and avant-gar-\nde products that would arouse interest thanks to their in-\ntrinsically unique and experimental characteristics. Alias \nhas never focused on temporary trends, but has always \nlooked at the present time with curiosity and aspiration \nto disclose the most interesting interpretations of crea-\ntivity and functionality.\nAlias is a multiple DNA of countless hands, minds, vi-\nsions, formations and stories that unite in a single spirit. \nThe diversity of a single language is the richness of the \nbrand’s story.\nToday, Alias returns as an expression of cultural transi-\ntion; the visionary spirit that conceived its birth is found \nagain in a contemporary form. In 1979 Alias interpreted \npostmodernism, rationalism, the birth of the modern PC \nand the technological revolution; in 2023, Alias reflects \nin a new type of language the myriad of changes and \nmergings happening fastly and continuously.\nAlias finds today a novel occasion to bring forward its \noriginal scope, and once again stresses the attention on \nthe intellectual value of design, particularly working on:\n \n1 \nInvolving a heterogeneous and complementary team to work alongside Alias: invi-\nting all fields, such as architecture, graphics and arts to partake \nin a free discussion on what the contemporary design principles \nshould be.\n2 \nShedding the spotlight on thought within design projects, preferring dense, intel-\nlectually relevant contents with less flashy graphic supports.\n3 \nStriving for a constant open-minded experimentation in shapes, materials and functio-\nnalities, appreciating the value of the creative process as catalyst \nfor unforeseen possibilities.\nToday, Alias remains bold and continues to believe, and \nprove, that there can be synergy between the creative \nand operational aspects, guiding its vision in between \nfunctionality and artistry, in the quest for Something Else.\n1\n2\n3\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.3.png","3\nALIAS\n2023\nARCHIVE\nAlias Circus\n1988, Carlo Orsi\nLatonda, designed by Mario Botta\n(out of catalogue)\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.4.png","5\n4\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nLongframe components\n1994, Miro Zagnoli\nLongframe, designed by Alberto Meda\n“Alias messa in scena” exhibition  \n@Studio Marconi, Milano\n1986, Alias archive\nSpaghetti Gemini, designed by  \nGiandomenico Belotti\nARCHIVE\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.5.png","7\n6\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nTITOLO CAPITOLO\n1\nNome poster\nAutore\nAnno\n1\nNome poster\nAutore\nAnno\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.6.png","9\n8\nALIAS\nALIAS\n2023\n2023\nARCHIVE\nSpaghetti Gemini exhibition  \n@Meubles et Fonction, Paris\n1988, Alias archive\nSpaghetti Gemini, designed by  \nGiandomenico Belotti\n“Streghetta” sticker\n1979, Malvina Borletti\nIllustration created for Broomstick collection, \ndesigned by Vico Magistretti\nARCHIVE\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.7.png","11\n10\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nTITOLO CAPITOLO\n1\nNome poster\nAutore\nAnno\nPoster “Alias Collection 80\u002F86”\n1986, Aldo Ballo, Roberto Sellitto \nPoster “Spaghetti chair”\n1981, Ballo&Ballo\nSpaghetti chair, designed by  \nGiandomenico Belotti\nSpaghetti stool, designed by  \nGiandomenico Belotti (out of catalogue)\nPoster “Masters’Pieces”\nAldo Ballo\nOmaggio a Theo Van Doesburg, designed by \nGiandomenico Belotti (out of catalogue)\nOmaggio a Gerrit Rietveld, designed by  \nGiandomenico Belotti (out of catalogue)\nOmaggio a Man Ray, designed by  \nGiandomenico Belotti (out of catalogue)\n1\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.8.png","13\n12\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nTITOLO CAPITOLO\n1\nLetterhead document\n1991, Alias archive\nPoster “Spaghetti”\n1983, Erik Rasmussen\nSpaghetti chair, designed by  \nGiandomenico Belotti\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.9.png","15\n14\nALIAS\nALIAS\n2023\n2023\nARCHIVE\nARCHIVE\nDiapositive\n1982, Aldo Ballo\nSeconda, designed by Mario Botta\nDiapositive\n1982, Aldo Ballo\nPrima, designed by Mario Botta\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.10.png","17\n16\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nTITOLO CAPITOLO\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.11.png","19\n18\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nARCHIVE\n1\nAdvertising campaign\n1999, Santi Caleca\nSeconda, designed by Mario Botta\nPhotography\nAlias archive\nLongframe, designed by Alberto Meda\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.12.png","21\n20\nALIAS\nALIAS\n2023\n2023\nARCHIVE\nARCHIVE\nPhotography\nLuca Tamburlini\nSpaghetti collection, designed by  \nGiandomenico Belotti\n“Autoscenografia” exhibition  \n@ Studio Marconi, Milano\n1987, Roberto Sellitto\nLightLight, designed by Alberto Meda  \n(out of catalogue)\nDry, designed by Alberto Meda\nLaleggera exhibition @Meubles  \net Fonction, Paris\n1997, Alias archive\nLaleggera, designed by Riccardo Blumer\nSalone del Mobile di Milano \n1996, FG Foto\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.13.png","23\n22\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nARCHIVE\nPoster “Belotti Botta Forcolini”, 1987\nGraphic composition and realisation Atelier \nRoger Pfund\nDigitalisation Hosef A. Huber\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.14.png","25\n24\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nTITOLO CAPITOLO\n1\nNome poster\nAutore\nAnno\n1\nNome poster\nAutore\nAnno\n1\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.15.png","27\n26\nALIAS\nALIAS\n2023\n2023\nARCHIVE\nARCHIVE\n(P. 24-25) \nAlias Magazine 1988\n1988, Carlo Orsi\nSoftLight, designed by Alberto Meda  \n(out of catalogue)\nPhotography\n1991, Aldo Ballo\nYoung Lady, designed by Paolo Rizzatto\nPhotography\n1989, Aldo Ballo\nRobot, designed by Mario Botta\n",15,{"image":74,"text":75,"number":76},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.16.png","29\n28\nALIAS\nALIAS\n2023\n2023\nARCHIVE\nAlberto Meda portrait\n1987, Roberto Sellitto\nLightLight, designed by Alberto Meda  \n(out of catalogue)\nGiandomenico Belotti’s studio\nMiro Zagnoli\nPaludis chair, designed by  \nGiandomenico Belotti\n",16,{"image":78,"text":79,"number":80},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.17.png","31\n30\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nARCHIVE\nPoster “Botta collection”\n1984, Aldo Ballo\nQuarta, designed by Mario Botta  \n(out of catalogue)\nPoster “Alias design dall’Italia”\n1989, Roberto Sellitto\nCotton Club, designed by Carlo Forcolini  \n(out of catalogue)\n",17,{"image":82,"text":83,"number":84},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.18.png","33\n32\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nARCHIVE\nSomething Else\n",18,{"image":86,"text":87,"number":88},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.19.png","35\nALIAS\n2023\nTITOLO CAPITOLO\n34\nALIAS\n2023\nSOMETHING ELSE\nSpaghetti chair\nDesigned by Giandomenico Belotti, 1979\n",19,{"image":90,"text":91,"number":92},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.20.png","37\nALIAS\n2023\nSOMETHING ELSE\n36\nALIAS\n2023\nSOMETHING ELSE\nMeetingframe\nDesigned by Alberto Meda, 2002\nMeetingframe\nDesigned by Alberto Meda, 2002\n",20,{"image":94,"text":95,"number":96},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.21.png","39\nALIAS\n2023\nSOMETHING ELSE\nSeconda\nDesigned by Mario Botta, 1982\n",21,{"image":98,"text":99,"number":100},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.22.png","41\nALIAS\n2023\nTITOLO CAPITOLO\nALIAS\n40\nALIAS\n2023\nSOMETHING ELSE\nRobot\nDesigned by Mario Botta, 1989\n",22,{"image":102,"text":103,"number":104},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.23.png","43\nALIAS\n2023\nSOMETHING ELSE\n42\nALIAS\n2023\nSOMETHING ELSE\nLaleggera chair\nDesigned by Riccardo Blumer, 1996\nBigframe\nDesigned by Alberto Meda, 1998\n",23,{"image":106,"text":107,"number":108},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.24.png","45\nALIAS\n2023\nSOMETHING ELSE\n44\nALIAS\n2023\nTITOLO CAPITOLO\nPaludis chair\nDesigned by Giandomenico Belotti, 1984\n",24,{"image":110,"text":111,"number":112},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.25.png","46\nALIAS\n2023\nTITOLO CAPITOLO\n47\nALIAS\n2023\nSOMETHING ELSE\nSeconda\nDesigned by Mario Botta, 1982\n",25,{"image":114,"text":115,"number":116},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.26.png","49\nALIAS\n2023\nSOMETHING ELSE\n48\nALIAS\n2023\nSOMETHING ELSE\nKobi chair\nDesigned by Patrick Norguet, 2012\nYoung Lady\nDesigned by Paolo Rizzatto, 1991\n",26,{"image":118,"text":119,"number":120},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.27.png","50\nALIAS\n2023\nSOMETHING ELSE\nSpaghetti armchair\nDesigned by Giandomenico Belotti, 1981\n",27,{"image":122,"text":123,"number":124},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.28.png","53\nALIAS\n2023\nSOMETHING ELSE\n52\nALIAS\n2023\nSOMETHING ELSE\nHighframe\nDesigned by Alberto Meda, 1994\nBigframe\nDesigned by Alberto Meda, 1998\n",28,{"image":126,"text":127,"number":128},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.29.png","Laleggera armrest\nDesigned by Riccardo Blumer, 2007\n55\nALIAS\n2023\nSOMETHING ELSE\n",29,{"image":130,"text":131,"number":132},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.30.png","57\n56\nALIAS\nALIAS\n2023\n2023\nTITOLO CAPITOLO\nNOVELTIES\nIT\nIn occasione del Salone del Mobile 2023, Alias riedita due progetti unici firmati \nda Mario Botta: la sedia Prima e la cassettiera Robot. Due collezioni cult invece  \nsi reinventano con nuove finiture: le sedute Spaghetti di Giandomenico Belotti  \ne le sedie Laleggera di Riccardo Blumer, proposte in un’inedita variante in cuoio.\nEN\nOn the occasion of Milan Salone del Mobile 2023, Alias re-edits two unique de-\nsigns signed by Mario Botta: the Prima chair and the Robot chest of drawers. \nTwo cult collections, on the other hand, are reinvented with new finishes: the \nSpaghetti chairs by Giandomenico Belotti and the Laleggera chairs by Riccardo \nBlumer, offered in a new hide-leather variant.\n",30,{"image":134,"text":135,"number":136},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.31.png","59\n58\nALIAS\nALIAS\n2023\n2023\nNOVELTIES\nNOVELTIES\nSpaghetti Collection\nHide leather\nDesigned by Giandomenico Belotti, 1979\nRe-edition 2023\nEN\nUndisputed symbol in the history of design, Spaghetti chair inaugu-\nrates Alias history in 1979. While suggesting unexpected tactile and \nvisual experiences this collection is made of a steel tubular structure \nand it can be declined in various typologies. Today the seat and back  \nof the chair, the chair with armrest and the stools are upholstered in \nhide-leather. The whole collection is also enriched with a new glossy \nfinish in six contemporary colours and it is also embellished with four \nshall caps in brass closing the tubular structure. Practicality and \ndiscrete elegance characterise this coherent chair ensemble, a true \nmasterpiece of essentiality.\nIT\nSimbolo incontestato della storia del design, la Spaghetti chair inau-\ngura la storia di Alias nel 1979. Composta da una struttura tubolare \nin acciaio, la collezione si declina in diverse tipologie, suggerendo \nesperienze tattili e visive inaspettate. Oggi il cuoio riveste la seduta e \nlo schienale di sedia, sedia con braccioli e sgabelli. L’intera collezione \nsi arricchisce inoltre di una nuova finitura lucida in sei colori attuali, im-\npreziosita da quattro tappini in ottone a chiusura del tubolare. Praticità \ne discreta eleganza caratterizzano un insieme coerente di sedute, vero \ne proprio capolavoro di essenzialità.\n",31,{"image":138,"text":139,"number":140},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.32.png","61\n60\nALIAS\nALIAS\n2023\n2023\nNOVELTIES\nNOVELTIES\nDesigned by Mario Botta, 1982\nRe-edition 2023\nPrima\nEN\nThis historical chair is inspired by architectural geometry’s archetypal \nshapes. It is a true icon of design conceived in 1982. Designed by the \ngreat Swiss architect Mario Botta for furnishing the interiors of some of \nhis most well known projects, Prima, a chair without armrests, returns \nin Alias catalogue, in its classical textured black finish and also in some \nother more contemporary glossy finishes. As in its original project, Pri-\nma maintains a steel structure and a seat in steel pierced foil made of its \ncharacteristic cylindrical elements in black polyurethane.\nIT\nForme archetipe della geometria architettonica ispirano questa storica \nseduta, vera e propria icona di design concepita nel 1982. Progettata \ndal grande architetto ticinese Mario Botta per gli interni di alcuni tra i \nsuoi progetti più noti, la sedia senza braccioli Prima rientra nel catalogo \nAlias, proposta nella classica finitura nero goffrato e nelle più attuali \nverniciature lucide. Come nel progetto originale Prima mantiene una \nstruttura in acciaio e la seduta in lamiera d’acciaio forata con schienale \ncostituito dai caratteristici elementi cilindrici in poliuretano nero.\n",32,{"image":142,"text":143,"number":144},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.33.png","63\n62\nALIAS\nALIAS\n2023\n2023\nNOVELTIES\nNOVELTIES\nDesigned by Riccardo Blumer, 1996\nLaleggera hide leather\nEN\nStacking version of the iconic Laleggera collection designed by Ric-\ncardo Blumer in 1996, Laleggera hide-leather in its editions chair and \nchair + is a true example of the technological lightness concept. A chair \nconceived to be cosy, ergonomic and functional at the same time. With \na structure in solid ash and veneered in pre-composed oak in different \nfinishes, it differs from the original seat thanks to its hide-leather front\ncover, available in 3 colours: black, dark brown and natural. A significant \nextension to embellish Laleggera collection.\nIT\nDeclinazione del concetto di leggerezza tecnologica, Laleggera hide-le-\nather, nelle versioni chair e chair +, è una sedia impilabile che arricchisce \nla collezione firmata da Riccardo Blumer nel 1996. Una seduta progetta-\nta per essere accogliente, ergonomica e funzionale allo stesso tempo. \nCaratterizzata da una struttura in legno massello di frassino e impiallac-\nciatura di precomposto di rovere, in diverse finiture, si differenzia dalla \nseduta originale per il rivestimento frontale in cuoio, disponibile in tre \ncolori: nero, testa di moro e naturale. Un significativo ampliamento che \nimpreziosisce la collezione Laleggera.\n",33,{"image":146,"text":147,"number":148},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.34.png","65\n64\nALIAS\nALIAS\n2023\n2023\nNOVELTIES\nNOVELTIES\nDesigned by Mario Botta, 1989\nRe-edition 2023\nRobot\nEN\nRobot is a drawer unit respecting its original project, conceived by ar-\nchitect Mario Botta in 1989. On the occasion of Milan Salone del Mobile \n2023 it returns as part of Alias collection. Characterised by overlapping  \ndrawers, connected to each other thanks to a metallic supporting \nstructure, Robot looks like a column. Its upper part can be opened and \nbecome a writing desk. With its ash solid wood with coloured stain fini-\nsh and a black steel lacquered structure, Robot represents the idea of an \nobject which doesn’t have a predefined shape equivalent to a sequence \nof drawers one on top of each other. It may acquire a variety of shapes \nwhen you take out some or all of its drawers in various combinations \nthanks to a smart game of decompositions.\nIT\nConcepita dall’architetto Mario Botta, la cassettiera Robot rispetta il \ndisegno originale del progetto del 1989 e rientra in collezione al Salone \ndel Mobile 2023. Caratterizzata dalla sovrapposizione di cassetti, col-\nlegati fra di loro da una struttura metallica portante, Robot si configura \ncome una colonna, la cui parte superiore può essere aperta e diventare \nscrittoio. Realizzata in legno massello di frassino verniciato a poro aper-\nto con struttura in acciaio verniciato nero, Robot rappresenta l’idea di un \noggetto che non ha necessariamente una forma predefinita corrispon-\ndente alla sequenza di cassetti impilati, ma può assumere una varietà di \nforme estraendo alcuni o tutti i cassetti in varie combinazioni attraverso \nun intelligente gioco di scomposizioni. \n",34,{"image":150,"text":151,"number":152},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.35.png","67\n66\nALIAS\nALIAS\n2023\n2023\nFINISHES\nFINISHES\nEN\nIT\nIn occasione del Salone del Mobile 2023, Alias presenta nuove finiture applicate ai pro-\ndotti più rappresentativi della sua storia: una selezione di \nnuovi colori e materiali per donare ancora più atempora-\nlità alle collezioni, evidenziandone la ricchezza formale, \nestetica e concettuale.\n“In principio i prodotti di Alias usavano molto bianco e nero; abbiamo voluto introdur-\nre dei nuovi colori, per enfatizzare ancora di più l’avan-\nguardia tecnologica e la matericità dei prodotti. I colori \ninfatti accentuano subito la forma, l’organicità e le fusioni \ndel metallo. In più, tra le nuove finiture, abbiamo intro-\ndotto delle verniciature lucide; è stata sicuramente una \nscelta coraggiosa, in quanto in controtendenza rispetto \nalle scelte più usuali e comode di opacità. Ma Alias, da \nsempre, non è mai stato un brand che ha seguito le mode \ndel momento o “scelte facili”; ha sempre cercato altro, \nSomething Else. Abbiamo voluto omaggiare la sua ani-\nma avanguardista nella proposta di oggetti che vivono in \nuna dimensione e applicazione atemporale. I nuovi colori \ne finiture valorizzano l’iconicità dei prodotti Alias, quasi \nfossero dei piccoli gioielli per gli ambienti del vivere” di-\nchiarano Francesco Meda e David Lopez Quincoces. \nAnche la scelta dei colori per le nuove finiture si è quindi diretta verso tonalità che \ntrascendono le mode, quali il blu navy, il verde inglese, il \nrosso mattone e il marrone ocra. Lo stesso è stato per la \nscelta delle nuove finiture, che includono vernici goffrate \ne lucide, laccature opache e l’introduzione di nuovi tran-\nciati di rovere e noce, e particolari in ottone.\nOn the occasion of Salone del Mobile 2023, Alias presents new finishes applied to the most \nrepresentative products of its history: a selection of new \ncolours and materials to give even more timelessness to \nthe collections, highlighting their formal, aesthetic and \nconceptual richness.\n“In the beginning, Alias products used a lot of black and white; we wanted to introduce new \ncolours, to emphasize even more the technological \navant-garde and materiality of the products. In fact, \nthe colours immediately accentuate the shape, orga-\nnicity and castings of the metal. In addition, among the \nnew finishes, we have introduced glossy varnishes; this \nwas certainly a courageous choice, as it went against \nthe more usual and comfortable choices of opacity. But \nAlias, since its inception, has never been a brand that has \nfollowed the fads of the moment or “easy choices”; it has \nalways sought Something Else. We wanted to pay homa-\nge to its avant-garde soul in proposing objects that live \nin a timeless dimension and application. The new colours \nand finishes enhance the iconicity of Alias products, al-\nmost as if they were little jewels for living environments,” \nsay Francesco Meda and David Lopez Quincoces.\nThe choice of colours for the new finishes was therefore also directed toward shades that tran-\nscend fashions, such as blue “navy”, green “verde ingle-\nse”, red “mattone”, and brown “ocra”.  The same was true \nfor the choice of new finishes, which include textured \nand gloss varnishes, matt lacquers, and the introduction \nof new oak and walnut veneers and brass details.\nA080\nA083\nA081\nA084\nA082\nA085\nVerniciatura lucida \u002F Gloss lacquered\nR042\nV111\nA056\nR043\nV114\nR032\nV112\nR044\nV113\nReti \u002F Mesh\nLaccatura opaca \u002F Matt lacquered\nRV\nNA\nLegno \u002F Wood\nVerniciatura liscia \u002F Smooth lacquered\nA053\nA054\nA052\nA055\nVerniciatura goffrata \u002F Textured lacquered\n",35,{"image":154,"text":155,"number":156},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.36.png","69\n68\nALIAS\nALIAS\n2023\n2023\nUPDATE\nUPDATE\nC011\nA081\nA083\nC012\nA080\nA084\nC003\nA082\nA085\nCuoio\u002FHide-leather\nCuoio\u002FHide-leather\nVerniciatura lucida \u002F Gloss lacquered\nVerniciatura lucida \u002F Gloss lacquered\nSpaghetti Collection\nDesigned by Giandomenico Belotti\nFiniture \u002F Finishes\nSeduta e schienale \u002F Seat and back\nSeduta e schienale \u002F Seat and back\nRivestimento frontale \u002F Front upholstery\nCassetti \u002F Drawers\nPiano e ripiano \u002F Top and shelf\nStruttura \u002F Structure\nStruttura \u002F Structure\nStruttura \u002F Structure\nStruttura \u002F Structure\nStruttura \u002F Structure\nStruttura \u002F Structure\nFiniture \u002F Finishes\nPaludis Collection\nDesigned by Giandomenico Belotti\nLaleggera Hide leather\nDesigned by Riccardo Blumer\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nYoung Lady - Young Lady Soft\nDesigned by Paolo Rizzatto\nBiplane - Frametable\nDesigned by Alberto Meda\nRobot\nDesigned by Mario Botta\nVerniciatura lucida \u002F Gloss lacquered\nRV\nNA\nLegno \u002F Wood\nLaccatura a poro aperto \u002F Coloured stain\nVerniciatura goffrata \u002F Textured lacquered\nVerniciatura lucida \u002F Gloss lacquered\nA083\nA084\nA082\nA085\nC011\nC012\nC003\nA083\nA083\nA084\nA084\nA082\nA082\nA085\nA085\nPrima - Seconda\nDesigned by Mario Botta\nVerniciatura lucida \u002F Gloss lacquered\nA083\nA084\nA082\nA085\nR042\nR043\nR032\nR044\nReti \u002F Mesh\nVerniciatura goffrata \u002F Textured lacquered\nVerniciatura goffrata \u002F Textured lacquered (Frametable only)\nFrame Collection\nDesigned by Alberto Meda\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nVerniciatura lucida \u002F Gloss lacquered (4-leg only)\nA083\nA084\nA082\nA085\nA052\nA052\nA055\nA055\nA053\nA053\nA054\nA054\nV140\nA081\nA080\nA081\nA080\nA081\nA080\nA081\nA080\nA081\nA080\nA011\nTelaio della scocca \u002F Frame of the shell\nLaccatura a poro aperto \u002F Coloured stain\nV140\n",36,{"image":158,"text":159,"number":160},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.37.png","71\n70\nALIAS\nALIAS\n2023\n2023\nUPDATE\nUPDATE\nGreen \u002F Green Pvc Collection\nDesigned by Giandomenico Belotti \nFrame Outdoor Collection \nDesigned by Alberto Meda\nManzù\nDesigned by Pio Manzù\nEleven low table \nDesigned by PearsonLloyd\nB004\nB020\nB026\nB056\nB057\nB080\nA011\nReti \u002F Mesh (Green Collection only)\nReti \u002F Mesh\nVerniciatura goffrata \u002F Textured\nPelle \u002F Leather  Pelle Frau® ColorSphere®\nVerniciatura metallizzata \u002F Metallic lacquered\nVerniciatura goffrata \u002F Textured lacquered\nA041\nA019\nA053\nA047\nA039\nA042\nA011\nA054\nA052\nA022\nA051\nA055\nVerniciatura goffrata \u002F Textured lacquered\nA048\nA049\nA050\nR042\nR043\nR032\nR044\nA053\nA054\nA052\nA055\nR042\nR043\nR032\nR044\nVerniciatura lucida \u002F Gloss lacquered\nLaccatura opaca \u002F Matt lacquered\nA083\nA084\nA082\nA085\nV111\nV114\nV112\nV113\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nFiniture \u002F Finishes\nLegno \u002F Wood\nRV\nNA\nPlettro \nDesigned by Paolo Rizzatto\nLegno \u002F Wood\nVerniciatura liscia \u002F Smooth lacquered\nRV\nNA\nAline\nDesigned by Dante Bonuccelli\nA056\nA081\nA080\nPiano \u002F Top\nParticolari in alluminio \u002F Aluminium elements\nSeduta e schienale \u002F Seat and back\nStruttura \u002F Structure\nStruttura \u002F Structure\nPiano \u002F Top\nRipiani e frontali dei contenitori \u002F Shelves and front of containers\nSeduta e schienale \u002F Seat and back\nStruttura \u002F Structure\nSeduta e schienale \u002F Seat and back\nStruttura \u002F Structure\n",37,{"image":162,"text":163,"number":164},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.38.png","73\nALIAS\n2023\nVISUAL RESEARCH\n72\nALIAS\n2023\nVISUAL RESEARCH\nX\n3X\n45°\nIT\nDopo un’analisi approfondita degli archivi di Alias   e degli aspetti più significativi \ndell’identità originaria, Studio Temp ha utilizzato la narrativa di Something Else \nper giocare con espressività, arricchendola con immagini, illustrazioni e grafiche \nludiche e sperimentali. Il logo è stato inclinato con l’uso di un font serif ed è stata \nscelta una tavolozza di colori libera con un tocco contemporaneo per rappresen-\ntare la nuova era. \nEN\nAfter a thorough analysis of Alias’ archives and of the most significant aspects of \nthe original identity, Studio Temp used the Something Else narrative to play with \nfree expressiveness and enriched it with ludic and experimental visuals, illustra-\ntions and graphics. The logo has been slanted with the use of a serif type, and a di-\nverse palette of colour with a contemporary feel, chosen to represent the new era.\n",38,{"image":166,"text":167,"number":168},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.39.png","75\nALIAS\n2023\n74\nALIAS\n2023\nVISUAL RESEARCH\nVISUAL RESEARCH\nFrame\nDesigned by Alberto Meda, 1991\nLaleggera\nDesigned by Riccardo Blumer, 1996\n",39,{"image":170,"text":171,"number":172},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.40.png","77\nALIAS\n2023\n76\nALIAS\n2023\nVISUAL RESEARCH\nVISUAL RESEARCH\nSpaghetti chair\nDesigned by Giandomenico Belotti, 1979\n",40,{"image":174,"text":175,"number":176},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.41.png","79\nALIAS\n2023\n78\nALIAS\n2023\nVISUAL RESEARCH\nVISUAL RESEARCH\nTurbo\nABC Synt\nSlant\nSlant\nItalic\nSlant\n2X\n",41,{"image":178,"text":179,"number":180},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.42.png","Creative Vision\nFrancesco Meda, David Lopez Quincoces \nGraphic Design\nStudio Temp\n \nPhotos\nAlberto Strada\nCopy & Communication\nGC Agency\nMade and printed in Italy\nby Grafiche Antiga, \n Crocetta del Montello (TV), Italy\n \n2023 April\n",42,{"image":182,"text":183,"number":184},"\u002Fmedia\u002Fimages\u002F9b\u002F583b47c5754dd1a3e9ffa3152711fe-2732c1dc4d.43.png","Novelties\nSpaghetti Collection, \ndesigned by Giandomenico Belotti\nLaleggera hide-leather, \ndesigned by Riccardo Blumer\nPrima, \ndesigned by Mario Botta\nRobot, \ndesigned by Mario Botta\nNovelties\nSpaghetti Collection, \ndesigned by Giandomenico Belotti\nLaleggera hide-leather, \ndesigned by Riccardo Blumer\nPrima, \ndesigned by Mario Botta\nRobot, \ndesigned by Mario Botta\nAlias\nSomething Else\nAlias\nSomething Else\n",43,[],0,false,true,{"success":188,"data":190,"meta":408,"count":409,"next":410,"previous":411,"results":449,"brand_chips":510},[191,204,214,224,234,243,253,263,273,285,298,311,321,334,347,357,367,376,386,398],{"id":192,"title":193,"slug":194,"image":195,"source":196,"brand_name":197,"brand":198,"brand_slug":199,"file_size":200,"pages":201,"pages_count":202,"matched_pages":203,"match_count":186,"two_pages":187,"show_text":188},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":205,"title":206,"slug":207,"image":208,"source":209,"brand_name":197,"brand":198,"brand_slug":199,"file_size":210,"pages":211,"pages_count":212,"matched_pages":213,"match_count":186,"two_pages":187,"show_text":188},26606,"Architectural Systems  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