[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-adrenalina-lost-in-space":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":85},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":80,"matched_pages":81,"match_count":82,"two_pages":83,"show_text":84},7532,"Lost in Space","adrenalina-lost-in-space","\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002F7d\u002Fbcc2dd30a6864e37d05b3e0dece083.pdf","Adrenalina",264,"adrenalina","13.4 MB",[14,17,21,25,29,33,37,41,45,49,53,57,61,65,69,73,77],{"image":7,"text":15,"number":16},"LOST IN SPACE\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.2.png","MERCURIO\nVENERE\nTERRA\nMARTE\nGIOVE\nSATURNO\nURANO\nNETTUNO\nPLUTONE\nLOST IN SPACE \n1959-2019 – 60 anni dal primo allunaggio\n1999-2016 – 20 anni di Adrenalina\nSin dagli esordi Adrenalina è stata associata allo spazio per il suo spirito \nfuturistico e la spinta d’avanguardia che caratterizza il brand.\nIl 2019 è perciò un anno speciale per Adrenalina: si festeggiano 20 anni di \ndesign sperimentale, condividendo le celebrazioni con i festeggiamenti del \nprimo allunaggio.\nNel 2019 Adrenalina si lancia nello spazio con il desiderio di rintracciare la \nspinta primordiale della sua essenza nella dimensione interplanetaria. \nI designer delle collezioni 2019 adottano ognuno un pianeta, immaginando \ndi osservare l’affascinante mondo delle galassie dall’oblò di una navicella \nspaziale per trarne ispirazione e creare forme iconiche nuove, inaspettate \ne fortemente connotate, che colleghino il passato al presente ma con un \npiede già nel futuro.\nIl risultato è una sperimentazione stimolante e perfettamente calata nello \nspirito avventuroso e irriverente di Adrenalina, che riconferma la propria \nanima creativa e lungimirante consolidata da due decenni di storia: in \nquesti vent’anni il brand ha sviluppato la capacità di viaggiare mille \ngalassie pur restando sempre ben collegato al pianeta Terra per regalare \nancora e ancora l’emozione di prodotti stupefacenti.  \n1969-2019 – 50 years since the first Moon landing\n1999-2019 – 20 years since Adrenalina’s debut\nSince its debut, Adrenalina has been associated \nwith space because of its futuristic spirit and strong vanguardist drive. \nThe year 2019 is therefore a special one for the brand: \nAdrenalina celebrates its first twenty years of experimental design \nas the world celebrates fifty years since the first Moon landing.\nThus, in 2019 Adrenalina launched itself into space to track down \nthe primal thrust of its essence in the interplanetary dimension. \nTo get inspired, each of the designers who signed the 2019 collections \npicked a planet and imagined peeking at the galaxy through the porthole \nof a space ship. The aim was to think of new, unexpected and iconic shapes \nthat could link the past to the present, while stepping into the future. \nThe result is an exciting experiment that fits perfectly into the adventurous \nand irreverent mood of Adrenalina, a brand that has proven to be creative \nand farsighted in its two decades of activity: during these twenty years, \nit has developed the ability to navigate thousands of galaxies, while \npreserving its ties with Planet Earth and showering it again and again with \namazing artefacts. \n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.3.png","XXXXXXXX\n5\nMERCURY\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.4.png","6\nMercury is the result of free experimentation that \ndraws its essence from the will to mix geometrical \nshapes with the overlapping curves, straight lines \nand bold colors typical of the vanguardist art \nmovements of the early 20th century. \nIgnoring product logic and widely accepted design \nparameters, Mercury is a collection featuring a \nstrong will to break away from any schemes, which \nis not an end in itself, but rather the contextualization \nof a vision of contemporary interior design in which \noriginality is essential.\nThe over-proportioned dimensions spell out a \nconcept of comfort that goes beyond shapes and \ncombines aesthetics with the usability of a piece of \nfurniture that is to be the beating heart of everyday \nliving.\nMercury è il risultato di una sperimentazione libera \nche trae la sua essenza dalla voglia di mixare forme \ngeometriche con un sovrapporsi di curve, linee rette \ne colori saturi che riconducono all’espressività tipica \ndelle intenzioni avanguardistiche dei movimenti \nartistici di inizio ‘900. Sorda alle logiche di prodotto \ne ai parametri progettuali tradizionali, Mercury è \nuna collezione dallo spiccato spirito di rottura, non \nfine a sé stesso, ma contestualizzato in una visione \ndell’arredo contemporaneo che si distingue per scelte \niconiche e si inserisce all’interno di un percorso in \ncui è insita un’originalità primordiale. Le dimensioni \nsovraproporzionate sottendono un concetto di comfort \nche prescinde dalle forme e coniuga l’estetica alla \nfruibilità dell’elemento di arredo come parte viva \ndell’abitare quotidiano.\nI colori di Mercurio approdano \nsul pianeta terra intensificandosi \ne fondendosi tra loro in un insieme \ndi pattern materici e morbidi, \na simulare l’assenza di gravità \ndella galassia.\nLa geometria, essenza \nestetica e regolatrice di un \nistinto creativo e libero, \nfonde in un elemento \ndi arredo ricercato e \nconfortevole il desiderio di \nlibera espressione con la \nnecessità di creare oggetti \nfruibili.\n“Il colore è l’elemento \nche più di ogni altra \ncosa può cambiare \nl’essenza e il sapore \ndelle cose”.\n“Color \nthe principal element \nthat can change the \nmood and character \nof the object”.\nDaria zinovatnaya\ngeometrie\ne colori attinti\ndall’espressività\ndelle avanguardie\nartistiche del ‘900\nGEOMETRY AND COLORS FROM THE ARTISTIC \nVANGUARDS OF THE EARLY 20TH CENTURY\nGeometry, the aesthetic \nessence that leads a \nfree spirit, combining \nthe creative urge with \nthe need for usability \nin an elegant yet \ncomfortable furnishing \nelement.\nMERCURY\nThe colors of Mercury land \non Planet Earth, intensifying \nand merging with each other \nin a set of soft and textured \npatterns, to simulate the \nabsence of gravity.\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.5.png","XXXXXXXX\n9\nROCHE\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.6.png","10\nCome una pietra scolpita dal vento, \nRoche plana da Venere con le sue \nforme armoniose, morbide ed \nessenziali portando sul pianeta terra \nla bellezza impalpabile del pianeta più \nluminoso del sistema solare. Costituito \nprevalentemente da lava pietrificata, \nVenere illumina una collezione che \nsembra plasmata dalle rocce e lanciata \nsul pianeta terra con l’intenzione di \nstupire e allo stesso tempo rassicurare, \ndi soddisfare lo sguardo più esigente \ne contemporaneamente accogliere in \nun caldo abbraccio chi è alla ricerca \ndi una pausa di relax o chi è costretto \na fermarsi per una pausa voluta dalla \ncasualità degli eventi. Roche è una \ncollezione che può entrare in punta \ndi piedi come Lucifero, la Venere del \nmattino, o diventare protagonista di \nscenari futuristici, come Vespero, la \nVenere della sera, l’ultimo pianeta della \nnotte a spegnersi dopo avere illuminato \nl’intera galassia.\nLike a stone carved by the wind, \nRoche glides down from Venus with its \nharmonious, soft and essential shapes, \nbringing to Earth the impalpable beauty \nof the brightest planet in the solar \nsystem.\nComposed primarily of petrified lava, \nVenus illuminates a collection that seems \nto be sculpted in rocks and launched \nonto Planet Earth to simultaneously \namaze and reassure, to satisfy the most \ndemanding gaze and welcome in a warm \nembrace those in search of a relaxing \nbreak or those who happen to stop for a \nwhile by chance.\nRoche is a collection that can tiptoe in \nlike Lucifer, Venus in the morning, or \nbecome the protagonist of futuristic \nscenarios, such as Hesperus, Venus in \nthe evening, the last planet of the night \nto go out after illuminating the entire \ngalaxy.\n“La creatività non è una \ndote ma un modo di essere \n- di essere sempre pronti \nper sperimentare”.\n“Creativity is not a \ntalent. It’s a way of being \n– being always ready to \nexperiment”.\nDaria zinovatnaya\nThe double personality of \na planet that changes its \ncolors according to the \nphases of its life cycle is \nmirrored in textured or \nextremely ductile materials, \nwhose shades reflect the \nblue and yellow tones of \nthe Morning Star and then \nfire up with the flaming \norange hues \nof the Evening \nStar.\nLa doppia personalità di un \npianeta che cambia colore \nin base alle fasi del suo ciclo \nvitale si specchia in materiali \nmaterici o estremamente \nduttili, le cui sfumature \nriflettono i toni azzurri e \ngialli che si osservano nella \nVenere-Lucifero per poi \nscaldarsi con fiammate di \narancione caldo tipico della \nVenere Vespero.\nROCHE\nuna pietra\nscolpita dal vento,\nlanciata sul \npianeta terra per \nilluminarlo\ndi bellezza\nA WIND-CARVED STONE LAUNCHED ONTO PLANET \nEARTH TO ILLUMINATE IT WITH BEAUTY\nCurve sinuose e piene \nsi alternano a geometrie \nessenziali e vuoti rigorosi che \ngenerano  discontinuità con \nun tocco di leggerezza.\nFull, sinuous curves alternate \nwith essential geometries and \nrigorous voids to generate \ndiscontinuity with a touch of \nlightness.\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.7.png","XXXXXXXX\n13\nBIGALA\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.8.png","14\n“Un oggetto, e quindi il suo \nprogetto, è valido quando si \nrelaziona immediatamente con \nil suo fruitore.”\n“An artefact – and therefore \nits design – is right when it \nimmediately relates to its \nuser”.\nRoberto Giacomucci\nBigala nasce da una riflessione sul \nconfine tra interno ed esterno, \ntra funzione ed evasione, \ntra riservatezza ed esteriorità, \ned esalta il ruolo delle sedute negli \nambienti domestici e pubblici \ncome elementi sempre più mutevoli \ne destinati ad accogliere universi di \nrelazione contrapposti.\nSolitudine o compagnia, permanenza \nveloce o relax prolungato, Bigala può \nanche essere attrezzato con punti di \nricarica per i dispositivi mobili e con \nun tavolino sul quale appoggiarsi per \nlavorare. Bigala si sviluppa su una \nstruttura portante in ferro che plasma \nla sua forma contenitiva, caratterizzata \nda due ali che racchiudono e \nproteggono, creando privacy per il \nsingolo o un angolo conversazione \nriservato.\nForma arrotondata e \nproporzioni contenute per un \noggetto scenico che arreda \ncon grande forza evocativa.\nA rounded shape and \ncontained proportions for a \nscenic artefact that furnishes \nwith great evocative power.\nImpalpable softness meets \nwith interwoven structures \nin a mix of bold colors \nand microtextures that \ndeliberately recalls the ‘50s.\nMorbidezze impalpabili si \nincontrano con strutture \nintrecciate in un mix di \ncolori saturi e microtexture \ntipicamente ‘50s.\nBigala arises from a reflection on \nthe boundary between inside and \noutside, between function and evasion, \nbetween privacy and openness, and \nenhances the role of upholsterd \nfurnishings as increasingly versatile \nelements in domestic and public living \nenvironments that are meant to host a \nuniverse of people relating with each \nother in many ways.\nWhether to cocoon a long, well-\ndeserved relaxing break or to welcome \ncompany for an informal meeting, \nBigala can also be equipped with \ncharging outlets for mobile devices and \nwith a small working table.\nBigala develops from an iron frame that \ndefines its containing shape, featuring \ntwo wings that enclose and protect to \nallow individuals or small parties the \nprivacy they need.\nBIGALA\nelementi mutevoli \ndestinati \nad accogliere\nuniversi \ncontrapposti\nVERSATILE ELEMENTS \nMEANT TO HOST A \nUNIVERSE OF \nJUXTAPOSED \nRELATIONS\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.9.png","XXXXXXXX\n17\nBIXIB\n",9,{"image":50,"text":51,"number":52},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.10.png","18\nLuca Alessandrini\nBixib si rifà liberamente al nome latino del baco da seta: \nBombyx Mori. Il neologismo palindromo ci racconta la \ngeometria di sedute che cambiano forma in base alla \nprospettiva dalle quali le si osserva: quel che frontalmente \nè simmetrico diventa liberamente organico al variare \ndell’angolazione.\nBixib appoggia su una base innovativa stampata in \ncomposito di seta e bio-resina.\nUn materiale antico e pregiato come la seta diventa così un \nmanufatto tridimensionale tramite processi innovativi \ndi laminazione con materiali organici sempre meno \nimpattanti sull’ambiente.\nBixib freely refers to the Latin name of the silkworm: \nBombyx Mori. The palindrome neologism narrates the \ngeometry of upholstered artefacts that change according to \nthe perspective from which you observe them: \nwhat is simmetrical from the front becomes freely organic \nas the observation angle changes. \nBixib rests on an innovative base printed in a silk and bio-\nresin composite.\nAn ancient and precious material such as silk becomes \na three-dimensional item through innovative lamination \nprocesses involving organic materials that have a lighter and \nlighter impact on the environment.\nSulla leggerezza della seta \nintrappolata nella resina si \ninnestano tessuti materici \ncon texture contrastanti \ne sartoriali, dal bouclé \npieno alla riga obliqua, \nessenziale e rassicurante.\nThe lightness of silk \ntrapped in resin is \ngrafted with contrasting \ntextured materials, \nfrom the full bouclé to \nessential and reassuring \noblique stripes.\nL’insospettabile \ntridimensionalità \ndella SETA\nTHE UNPREDICTABLE \nTHREE-DIMENSIONALITY \nOF SILK\n“Fare design \nacquista senso \nsolo se in funzione \ndell’innovazione”.\n“Design makes sense \nonly if its aim is \ninnovation”.\nBIXIB\nBixib propone due \nversioni di base: \ncomposto di seta e \nbio-resina oppure il più \ntradizionale metallo \ncurvato e verniciato RAL \no cromato.\nBixib comes in two \nbasic versions: silk \nand organic resin \ncomposite or the more \ntraditional chrome \nor RAL color-painted \ncurved metal.\n",10,{"image":54,"text":55,"number":56},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.11.png","XXXXXXXX\nGEA\n",11,{"image":58,"text":59,"number":60},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.12.png","22\nIspirati ai colori della natura, \ni toni pieni, caldi e freddi si \nstemperano in sfumature che \nricordano tramonti mediterranei \ne cieli boreali, fino a prendere \nforma in leziosi temi floreali.\nInspired by the colors of nature, \nthe full, warm and cool tones are \nsoftened in shades that recall \nMediterranean sunsets and Boreal \nskies, as they take shape in \nelaborate floral themes.\nla wing chair \ndel XVIII secolo, \nforma mutevole\nproiettata\nverso la modernità\nTHE 18TH CENTURY WING CHAIR, \nA PROTEAN SHAPE PROJECTED INTO \nMODERNITY\n“Solo nell’individualità della \nvita quotidiana si può tracciare \nquella linea di separazione \nche non sopprime l’emergere \ncreativo della coscienza”.\n“Only in the individuality of \neveryday life can we trace \nthat dividing line that does \nnot suppress the creative \nemergence of consciousness”.\nGiovanni \nTommaso Garattoni\nLe curve gentili e slanciate dai \ntratti tipicamente streamlined \ncostituiscono un elemento di \nrottura con il passato e un punto \ndi aggancio con le forme mutevoli \ndella modernità. \nThe gentle and slender curves \nsporting a streamlined profile \nrepresent a breaking point from \nthe past and a point of connection \nwith the changing forms of \nmodernity.\nL’affascinante bergère del XVIII \nsecolo viene rivisitata in chiave \nbolidista e si ripresenta nello \nscenario moderno dell’abitare con \nforme slanciate e gambe en cabriole \nestremizzate nella loro funzione e \nnella loro presenza. Gea è plasmata \nda mani gentili, guidate da una \nmente creativa e avanguardista, che \nla immagina come una delle forme \nmutevoli generate dalle tempeste \ncolossali di Giove, pianeta gassoso \ne turbolento.\nThe charming 18th century bergère, \nrevised and updated in a Bolidist \nkey, comes back with streamlined \nshapes and extreme cabriole legs. \nGea is manufactured by gentle \nhands led by a creative vanguard \nmind that imagined it as one of the \nshifting shapes generated by the \ncolossal tempests sweeping Jupiter, \na turbulent gaseous planet. \nGEA\n",12,{"image":62,"text":63,"number":64},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.13.png","XXXXXXXX\n24\nSIR-PENT\n",13,{"image":66,"text":67,"number":68},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.14.png","26\nun sicuro\npunto di \napprodo per \npassanti \nfrettolosi\nA SAFE LANDING POINT FOR \nPASSERS-BY IN A HURRY\nAndrea Stramigioli\nSir-Pent è un essere curioso che abita il \npianeta Terra con l’intento di creare isole \nrelax dalle forme lineari o composte, \nsnodandosi con leggerezza e discrezione in \nluoghi in cui la sua fluidità e la sua presenza-\nnon-presenza affermano senza clamore la \npropria essenzialità.\nNel dispiegarsi libero e sinuoso delle forme \nmorbide e discrete, Sir-Pent soprende e \ncattura con gli accessori tecnologici che \nemergono dalle morbidezze dei piani seduta: \npunti di ricarica USB o Schuko, dispositivi \ndi ricarica Wi-Fi nascosti, accessori \nportariviste o porta tablet e una pianta \ntecnologica collegata a ItAir, un sistema \nbrevettato di purificazione dell’aria. \nSir-Pent si inserisce nei moti di rotazione del \nnostro pianeta come sicuro punto di approdo \nattraendo a sé passanti frettolosi con la \nstessa azione gravitazionale che Sole e Luna \nesercitano sulla terra.\n“Non si può aver paura di \ncambiare. Ogni progetto è la \npossibilità di spingersi oltre \ni limiti e superare ciò che si è \nfatto fino a quel momento”.\n“Never fear change. With every \nnew project you can reach \nbeyond your known limits and \ngo farther than you have ever \ndared”.\nFlessibilità e \nmodularità si spiegano \nin un gioco divertente \ne stimolante.\nFlexibility and \nmodularity unfold in a \nfun and exciting game.\nThe thousand colors of \nPlanet Earth are captured \nin fabrics ranging from \nan evanescent softness to \ntextured solidity that recall \nthe most tangible elements \nof nature, in nuanced \nshades of color laden with \nthe intensity of the images \nof our planet taken from \nspace probes.\nI mille colori del pianeta \nterra catturati in tessuti che \nspaziano dalle morbidezze \nevanescenti a texture \nmateriche che ricordano \ngli elementi più tangibili \ndella natura, in nuance di \ncolori sfumati e carichi \ndell’intensità delle immagini \ndel nostro pianeta riprese \ndalle sonde spaziali.\nSIR-PENT\nSir-Pent is a curious being that lives \non Planet Earth with the intention of \ncreating islands of relaxation with linear \nor compound shapes, winding lightly and \ndiscreetly in places where its fluidity and its \nquiet presence unfussingly claim their own \nessentiality.\nIn the free and sinuous unfolding of its soft \nand discrete shapes, Sir-Pent surprises and \ncharms with the technological accessories \nthat emerge from the softness of the seating \nsurfaces: USB or Schuko charging outlets, \nhidden wireless charging devices, magazine \nracks or tablet holders and a technological \nplant connected to ItAir, a patented air \npurification system.\nSir-Pent fits into the rotational motions of \nour planet as a safe landing point, attracting \nhurried passers-by with a gravitational \naction similar to that the Sun and the Moon \nexert on Planet Earth.\n",14,{"image":70,"text":71,"number":72},"\u002Fmedia\u002Fimages\u002F85\u002Ffb39e6f1189c7e8f09275e1083c4fc.15.png","BIXIB\ndesign Luca Alessandrini\nL 90 P 82.5 H 92 Hs 42\nL 90 P 82.5 H 92 Hs 42\nL 160 P 82.5 H 92 Hs 42\nL 160 P 82.5 H 92 Hs 42\nROCHE\ndesign Daria Zinovatnaya\nL 110 P 96 H 73.5 Hs 40\nL 180 P 96 H 73.5 Hs 40\nL 240 P 96 H 73.5 Hs 40\nD 60 H 41.5\nD 60 H 40\nD 47 H 40\nL 10 P 93.5 H 140\nMERCURY\ndesign Daria Zinovatnaya\nL 110 P 96 H 73.5 Hs 40\nL 180 P 96 H 73.5 Hs 40\nL 240 P 96 H 73.5 Hs 40\nD 70 H 36.5\nD 70 Hs 37\nBIGALA\ndesign Roberto Giacomucci\nL 98 P 70 H 100 Hs 45\nL 160 P 70 H 100 Hs 45\nL 222 P 70 H 100 Hs 45\nSIR-PENT\ndesign Andrea Stramigioli\nA\nL 108 P 92 H 42\nC\nL 95 P 109 H 42\nL 83,5 P 127 H 42\nB\nL 127 P 123 H 42\nE\nL 111 P 130 H 42\nF\nL 109,5 P 96 H 42\nS\nL 42 P 70,5 H 42\nJ\nL 30 P 40 H 60\nT\nGEA\ndesign Giovanni Tommaso Garattoni\nL 78 P 90 H 132 Hs 48\nL 78 P 94 H 94 Hs 48\nL 150 P 90 H 132 Hs 48\n1999 - 2019\ndue decenni di adrenalina\ntwo decades of adrenalina\nLOST IN SPACE\nwe’re about\nto land in \nthe future\npad. 10 bootH c19\n2019 - 20 anni di energia pura\nAdrenalina festeggia i suoi primi 20 anni. 84 collezioni di cui 45 a cata-\nlogo, 4 edizioni limitate all’anno, 9 designer, 62 fiere, migliaia di metri \ndi tessuto lavorati, 380 tessuti e colori in collezione, e non in ultimo uno \nstaff di 28 persone che ogni giorno cura ed accresce con dedizione e \npassione il patrimonio di Adrenalina.\n20 years of pure energy\nAdrenalina is celebrating its first twenty years of activity: 84 col-\nlections, 45 of which became a catalog, 4 limited editions per year, 9 \ndesigners, 62 trade fairs, thousands and thousands of meters of fabric, \ncollections featuring up to 380 different fabrics and colors, and, last \nbut not least, a great staff, 28 people who devote their skills and their \npassion to manufacturing pure Adrenalina daily.\n1997 - Voglia di futuro\nAll’interno di Domingo Salotti, una azienda a conduzione famigliare \nche produceva dal 1973 sedute per il settore residenziale, nasce la \nvolontà di portare sul mercato imbottiti con forme innovative per \nspazi collettivi, commerciali e residenziali, reinterpretando la seduta \ncome elemento iconico e scultoreo, stupefacente ma estremamente \nconfortevole.\n1997 - wishing for the future\nAfter almost a quarter-century long activity, Domingo Salotti, an italian \nfamily-managed company that had been manufacturing uphostered \nfurniture since 1973, developed the idea that padded upholstered \nfurniture for residential, corporate, and commercial settings strongly \nneeded innovation, thus set out to reinterpret sofas and armchairs as \niconic sculptural yet extremely comfortable furnishing items.\n2009 - Traguardi futuristici \nAdrenalina compie dieci anni e nello stesso anno arreda il primo hotel \nfirmato Adrenalina, il primo di una lunga serie di progetti contract e \nhoreca all’avanguardia, nei quali Adrenalina prende forma nella sua \nversione più esclusiva e ricercata riservata a pochissimi progetti.\n2009 - Futuristic Achievements\nAs the brand was turning ten, Adrenalina got to design the interiors \nof the first hotel which was to become the first of a long series of \nexclusive customized horeca and commercial projects.\n2015 - Uno sguardo oltre\nSoffia vento di novità in casa Adrenalina, \ne per la prima volta dopo lunghi anni di collaborazione \nesclusiva con l’architetto Simone Micheli, \nil marchio apre le porte a nuovi designer\nitaliani  e stranieri.\n2015 - Beyond the Horizon\nAfter many years during which \narchitect Simone Micheli \ndesigned every item of each collection, \nAdrenalina opened up to new designers, \nboth Italian and foreign.\n1999 - Ready to go\nFiera Abitare il Tempo, Adrenalina esplode e stupisce tutti, \nsalendo alla ribalta delle principali testate specialistiche nazionali \ned internazionali. 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