[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"catalog-acerbis-journal-2023":3,"$f54gFciXR1FznWJVNft3TqcXl0B8GYbPbga8lnvghe78":53},{"id":4,"title":5,"slug":6,"image":7,"source":8,"brand_name":9,"brand":10,"brand_slug":11,"file_size":12,"pages":13,"pages_count":48,"matched_pages":49,"match_count":50,"two_pages":51,"show_text":52},22568,"Journal 2023","acerbis-journal-2023","\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.1.png","http:\u002F\u002F127.0.0.1:8000\u002Fprivate\u002Ffiles\u002Ff8\u002F903613b1a9a9da5f57ade7fbb28d24-28e5f30299.pdf","Acerbis",2302,"acerbis","1.4 MB",[14,17,21,25,29,33,37,41,45],{"image":7,"text":15,"number":16},"14\nMaestro\u002FMenhir\nNovelties 2023\n12\nMed\nDesign Lodovico Acerbis, Giotto Stoppino, 1983\n10\nCommunication\nThe new Collection Catalogue \n8\nMirror Reflections\nAcerbis @ Salvioni Milano Durini\n4\nItalian Excellence\nAcerbis × Salvatore Ferragamo\n2\nSalone del Mobile\nMilano 2022\nStories about\nAcerbis\nJournal\n2023\n",1,{"image":18,"text":19,"number":20},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.2.png","Un immaginario caldo e raffinato, fatto di \ncontrapposizioni di toni delicati e laccature brillanti: lo \nstand del Salone del Mobile 2022 ha accolto i visitatori \nnel mondo cromatico di Acerbis facendo da perfetta \ncornice per i prodotti della collezione Remasters. \nProtagoniste dell’allestimento, curato dalla direzione \nartistica Meda-Quincoces, le novità: Life system di \nRoberto Monsani e la seduta Med di Lodovico Acerbis \ne Giotto Stoppino.\nA warm and refined imagery, made up of contrasts \nof delicate tones and brilliant lacquers: the stand at \nthe Salone del Mobile 2022 welcomed visitors into \nthe chromatic world of Acerbis, providing the perfect \nsetting for the products of the Remasters collection. \nProtagonists of the display, curated by the Meda-\nQuincoces artistic direction, the new products: Life \nsystem by Roberto Monsani and the Med chair by \nLodovico Acerbis and Giotto Stoppino.\nSalone del Mobile\n1\n2\n4\n3\n1 \n Salone del Mobile 2022. Project: Pitsou Kedem. Set up: Francesco Meda, David Lopez \nQuincoces.\n2 \nSheraton, un’icona del design senza tempo, nella versione laccato lucido verde scuro.\n3 \n Med, progetto del 1983 di Giotto Stoppino e Lodovico Acerbis, ri-editato nel 2022 per \nla collezione Remasters, con tavolo Creso in travertino.\n4 \nCreazioni la cui modernità rimane all’avanguardia anche oggi: il divano Life di  \n \nRoberto Monsani con tavolini Menhir di Giotto Stoppino - Lodovico Acerbis, e Gong  \n \ndi Gianfranco Frattini.\n1 \n Salone del Mobile 2022. Project: Pitsou Kedem. Set up: Francesco Meda, David Lopez \nQuincoces.\n2 \nSheraton, a timeless design icon in the dark green glossy lacquered version.\n3 \n Med, a 1983 design by Giotto Stoppino and Lodovico Acerbis, re-issued in 2022 for \nthe Remasters collection, with Creso table in travertine.\n4 \nCreations whose modernity remains avant-garde even today: the Life sofa by  \n \nRoberto Monsani with Menhir low tables by Giotto Stoppino - Lodovico Acerbis,  \n \nand Gong by Gianfranco Frattini.\n3\nAcerbis\nJournal\nMilano 2022\n2\nAcerbis\n2023\nSalone del Mobile\n",2,{"image":22,"text":23,"number":24},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.3.png","4\n5\nAcerbis\nAcerbis\n2023\nJournal\nAcerbis × Salvatore Ferragamo\nItalian Excellence\nAcerbis ×  \nSalvatore \nFerragamo\nITALIAN  \nEXCELLENCE \n2\n3\nIn occasione del Salone del Mobile 2022, due \nprotagonisti del Made in Italy, Acerbis e la Maison \nSalvatore Ferragamo, hanno presentano Italian \nExcellence, un progetto curato da Francesco Meda e \nDavid Lopez Quincoces, art directors di Acerbis, nel \ncontesto del Fuorisalone.\nItalian Excellence è una narrazione visiva dello spirito \ndi italianità e della raffinata estetica che accomunano \nil lavoro e la ricerca creativa di Acerbis e di Ferragamo, \npresentando prodotti che raccontano la storia di \ngrandi maestri italiani del design.\nLe vetrine delle boutique Ferragamo Donna e Uomo di \nVia Montenapoleone sono diventate il palcoscenico \nper una serie di composizioni realizzate con pezzi della \ncollezione Remasters.\nFor the Salone del Mobile 2022 design fair, two \nhistoric leading players of Made in Italy, Acerbis and \nthe Maison Salvatore Ferragamo, presented Italian \nExcellence, a project curated by Francesco Meda and \nDavid Lopez Quincoces, creative directors of Acerbis, \nwithin the Fuorisalone context.\nItalian Excellence is a visual representation of \nItalian-ness and of the signature refined aesthetics \nthat underly the work and research of Acerbis and \nFerragamo, concurrently presenting timeless products \nthat tell the story of great Italian masters.\nThe shop windows of the Ferragamo Women’s and \nMen’s boutique in Via Montenapoleone have become \nthe stage for a series of compositions realised with \nproducts from the Remasters collection.\n1 \n La cassettiera Storet, visionaria creazione di Nanda Vigo del 1994, dialoga, nei colori \ne nella rotondità delle forme, con la scarpa Rainbow di Ferragamo. I pezzi in vetrina si \ncombinano con lo sfondo realizzato attraverso neon colorati che creano giochi di luce \nper esaltarne la geometria unica.\n2 \n Una grande composizione creata dalle diverse basi in marmo di Carrara del tavolo \nMenhir di Giotto Stoppino e Lodovico Acerbis è concepita come una scenografia di \ntotem, dove i piani circolari dei tavoli si intersecano tra loro.\n3 \n Il tavolino Florian di Vico Magistretti è esposto nelle vetrine della boutique Ferragamo \nDonna in più pezzi sospesi, per sottolineare l’idea di leggerezza, e nella versione \npiegata. Nella boutique Ferragamo Uomo, i tavolini vengono decontestualizzati  \ne diventano un separé orientabile che ricorda un gioco per bambini.\n4,5  Nella boutique Ferragamo Donna, la storica seduta Med è realizzata nel camoscio \nmulticolore caratteristico della zeppa Rainbow, sandalo creato nel 1938 da Salvatore \nFerragamo per Judy Garland.\n1\n1 \n The Storet chest of drawers – visionary creation of Nanda Vigo from 1994 – dialogues \nin terms of colours and rounded shapes with the Ferragamo Rainbow shoe. The \npieces in the shop window combine with a background of colored neon that create \nplay of light to enhance the unique geometry.\n2 \n The great composition created with the different marble bases of the Menhir table \nby Giotto Stoppino and Lodovico Acerbis was conceived as a backstage of totems in \nwhich the circular planes of tables intersecting in a continuity of plane and plinth forms.\n3 \n Florian by Vico Magistretti is shown in the Women’s boutique’s shop window in \nseveral suspended pieces, to enhance the idea of lightness, and in a folded version. \nIn the Men’s boutique, tables are placed out of context and become a sort of \nadjustable separé that recalls a children’s game.\n4,5  In the Women’s boutique, the historic Med seat is realised in the multicolour suede \nthat is characteristic of the Rainbow wedge, the Maison’s iconic sandal created in \n1938 by Salvatore Ferragamo for Judy Garland.\n6 \n Nella boutique Uomo, invece, Med reinterpreta la calzatura in pelle marrone realizzata \nnel 1959 per Andy Warhol, che la utilizzava durante le sessioni di pittura.\n6 \n In the Men’s boutique, Med instead reinterprets the brown leather shoes realised  \nin 1959 for Andy Warhol, who used them during his painting sessions.\n4\n",3,{"image":26,"text":27,"number":28},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.4.png","6\n7\nAcerbis\nAcerbis\n2023\nJournal\nAcerbis × Salvatore Ferragamo\nItalian Excellence\n5\n6\n",4,{"image":30,"text":31,"number":32},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.5.png","Mirror \nReflections\nAcerbis @ \nSalvioni \nMilano \nDurini\nNel contesto del Fuorisalone, Acerbis ha presentato \nnello showroom Salvioni in via Durini Mirror Reflections, \nun’installazione creata dal duo creativo Meda-Quincoces.\nQui la collezione Remasters prende posto in un’ode \nalla ricerca creativa di Nanda Vigo, con gli specchi \ne luci al neon che trasformano lo spazio in un gioco \ndi luce e rifrazioni che fanno eco l’uno all’altro per \nespandere le percezioni della forma e della materia \ndei prodotti esposti.\nIl visitatore è stato invitato a vivere un’esperienza \nsensoriale unica dove emerge chiaramente la forza \ndi materiali, strutture e superfici infuse di colore, \nche delineano la personalità di ciascun design della \ncollezione Remasters.\nIn the context of the Fuorisalone, Acerbis presented in \nthe Salvioni showroom in via Durini Mirror Reflections, \nan installation by the creative duo Meda-Quincoces.\nHere the Remasters collection takes its place amid an \node to Nanda Vigo’s creative research with mirrors and \nneon lights, which transform the entire space into one \nof her games of light and refraction which echo each \nother to expand perceptions of the form and material \nof the products on display.\nThe visitor was invited to experience a unique sensory \njourney where the power of materials, of textures, \nand of color-steeped surfaces comes to the fore, \ndelineating the personality of each design in the \nRemasters collection.\n1\n2 \n Nanda Vigo, the master of light and spirited shapes, \nused mirrors as one of her ultimate transgressive \ngames of distortion. One of the Acerbis’ latest \nshooting finds inspiration in her creative research. \n \nPh. Aldo Ballo. Courtesy Archivio Nanda Vigo - Trigger  \n \nof the space (1974).\n3 \n Two sculptures of light and specular reflections, two \ndistinct but inseparable elements. Trigger of the space, \n1974. Ph. Aldo Ballo. Courtesy Archivio Nanda Vigo.\n2 \n Nanda Vigo, maestra di luce e forme vivaci, usava \ngli specchi come trasgressivo gioco di estrema \ndistorsione. Uno degli ultimi servizi fotografici di \nAcerbis trova ispirazione nella sua ricerca creativa. \nPh. Aldo Ballo. Courtesy Archivio Nanda Vigo - Trigger \nof the space (1974).\n3 \n Due sculture di luce e riflessi speculari, due elementi \ndistinti ma inseparabili. Trigger of the space, 1974. \n \nPh. Aldo Ballo. Courtesy Archivio Nanda Vigo.\n2\n3\n9\nJournal\nAcerbis @ Salvioni Milano Durini\n8\nAcerbis\n2023\nMirror Reflections\nAcerbis\n",5,{"image":34,"text":35,"number":36},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.6.png","Communication\nIl restyling del logo di Acerbis mostra come un logotipo \ncontemporaneo possa essere la naturale evoluzione del passato. \nIn continuità con i valori ripresi dall’archivio storico del brand la \nripetizione del logo e i colori: bianco, nero e arancione. Questi \nelementi sono stati affiancati ad un carattere contemporaneo con \nun’estetica riconoscibile per tradurre l’immagine del passato in una \nlingua adatta ad affrontare il futuro.\nIl nuovo Catalogo Collezione (4) unisce in un unico racconto la doppia \nanima di Acerbis: quella iconica della collezione Remasters con quella \ncontemporanea dei progetti più recenti. Una narrazione estetica \nche enfatizza la capacità dei prodotti Acerbis d’inserirsi in ambienti \nmolto diversi tra loro, dall’imponente razionalismo di Villa Necchi \nall’urbanità industriale di Fondazione Kenta, celebrando la loro forte \nidentità e trasversalità.\nThe restyling of the Acerbis logo demonstrates how a contemporary \nlogotype can be the natural evolution of the past. In continuity with \nthe values inherited from the brand’s historical archive, the logo’s \nrepetition and colours: white, black, and orange. These elements \nwere combined with a contemporary font with a recognisable \naesthetic to interpret the image of the past in a suitable language for \nthe future.\nThe new Collection Catalogue (4) brings together in one story the \ndual soul of Acerbis: the iconic spirit of the Remasters collection with \nthe contemporary spirit of the more recent designs. An aesthetic \nstory that emphasises the ability of the Acerbis products to slot \nseamlessly into a wide variety of environments - from the imposing \nrationalism of Villa Necchi to the industrial urbanity of Fondazione \nKenta - celebrating their strong identity and versatility.\n1 \n In linea con la nuova identità grafica di Acerbis, il nuovo \nMaterial Box organizza e raccoglie l’ampia varietà di materiali \ne finiture a disposizione.\n2 \n Il nuovo logo si ispira al monogramma originale di Acerbis, ma \nlo semplifica in una “a” caratterizzata da linee e geometrie \ngentili che si prestano a essere declinate su diversi supporti \nmateriali per creare dei veri e propri oggetti di scena a \ncompletamento dello styling.\n3 \n Il Paper raccoglie scatti inediti che ritraggono la collezione \nRemasters da nuove angolazioni, esaltando le diverse \ngeometrie in un gioco di riflessi ripetuti e la straordinaria \nfunzionalità in analogia con le auto da corsa d’epoca.\n1 \n In line with Acerbis’ new graphic identity, the new Material \nBox organises and collects the wide variety of available \nmaterials and finishes.\n2 \n The new logo is inspired by the original Acerbis monogram, \nbut simplified into an ‘a’ characterised by gentle lines \nand geometries that lend themselves to being interpreted \non a variety of material supports to create real props to \ncomplement the styling.\n3 \n The Paper collects original shots that portray the Remasters \ncollection from new angles, highlighting the different \ngeometries in a play of repeated reflections and the \nextraordinary functionality in analogy with vintage racing cars.\n5 \n On the Instagram account, Acerbis tells its own story through \nimages and videos capable of conveying a coordinated brand \nimage, while at the same time showing curious backstage \nstories, previews and events. With content that is always new \nand up-to-date, Instagram is the channel where you can have \na 360° experience of the brand.\n5 \n Nel canale Instagram, Acerbis racconta sé stessa attraverso \nimmagini e video capaci di restituire un’immagine coordinata \ndel brand, ma al tempo stesso mostrando curiosi retroscena, \nanteprime ed eventi. Con contenuti sempre nuovi e aggiornati, \nInstagram è il canale dove poter fare un’esperienza a 360°  \ndel brand.\n3\n2\n1\n5\n4\n11\nAcerbis\nJournal\nThe new Collection Catalogue\n10\nAcerbis\n2023\nThe new Graphic Identity\n",6,{"image":38,"text":39,"number":40},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.7.png","Med \nchair\nCon il suo contrasto tra curve e linearità, la seduta Med di Lodovico \nAcerbis e Giotto Stoppino assume dimensioni nuove e più agili, nonché \nproporzioni più graziose per le gambe e la struttura in noce o frassino \nnero. Caratterizzata da dettagli unici come la sezione delle gambe – che \nricorda l’iconico Flatiron Building situato a Manhattan, New York – e \ndalle traverse che le uniscono, la cui ripetizione rappresenta un segno \ngrafico distintivo, la seduta Med si abbina facilmente a tutti i tipi di \ntavolo. La struttura in legno è impreziosita da un’imbottitura in colori \nvivaci, rendendo il design di Acerbis e Stoppino un elemento versatile \nnell’ampliamento della collezione Remasters.\n “Stiamo rivisitando design che già possiedono un enorme impatto \nrivoluzionario”, dicono Meda e Lopez Quincoces. “Lo scopo è renderli adatti \nad arredare gli autentici spazi living di oggi, con opzioni produttive moderne \ne un’estetica contemporanea a valorizzare design nati come icone.”\nLodovico Acerbis and Giotto Stoppino’s Med chair, with its curves \nand contrasting linearity, takes on lithe new dimensions, with \nairier proportions for its walnut or black ash wood legs and struts. \nCharacterised by unique details including the section of the legs - which \nrecalls the iconic Flatiron Building on Madison Avenue, New York - and by \ncross-pieces connecting the legs, the repetition of which is a distinctive \ngraphic sign, the Med Chair pairs easily with all kinds of tables. Its \nwooden frame is embellished with vivid upholstery, rendering Acerbis and \nStoppino’s design so versatile for expanding the Remasters collection.\n“We’re redeveloping designs that already possess an enormous \nand pioneering impact,” say Meda and Lopez Quincoces. “But we’ve \nreconceived them to furnish the real living spaces of today, with modern \nproduction possibilities and a contemporary aesthetic enhancing designs \nthat were born as an icons.”\n3\n2\n1\n1, 3  Sedia Med con struttura in Frassino nero e tessuto \nParadise.\n2, 4  Una sedia dalle forme delicate che evoca le linee \nessenziali della classica sedia in legno. \nMed di Giotto Stoppino e Lodovico Acerbis @ Fabrica \nResearch centre, Treviso.\n1, 3  Med chair with black ash structure and Paradise \nfabric.\n2, 4  A gently shaped chair that evokes the essential lines \nof the classic wooden chair. \nMed by Giotto Stoppino and Lodovico Acerbis @ \nFabrica Research centre, Treviso.\n4\n13\nAcerbis\nJournal\nDesign Lodovico Acerbis, Giotto Stoppino, 1983\n12\nAcerbis\n2023\nMed\n",7,{"image":42,"text":43,"number":44},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.8.png","Maestro\nMenhir\n3\n2\nIl tavolo Maestro afferma la centralità del suo ruolo \nnegli ambienti domestici nella nuova versione quadrata \n150x150cm.\nConnubio perfetto tra visione progettuale ed \neccellenza nel saper fare, il tavolo Maestro di \nGianfranco Frattini è stato rieditato e re-introdotto \nnella collezione Remasters nel 2020. \nLa lavorazione del basamento a listelli - di ispirazione \ngiapponese - e la ricchezza del legno caratterizzano \nla nuova versione quadrata, anch’essa riproduzione \nfedele del progetto originale del 1997. \nDesign  \nGianfranco Frattini, 1997\nUn tavolino-scultura che esalta il valore dei diversi \nmateriali e l’ambiente circostante. \nIl tavolino Menhir, definito dal basamento a colonna \ncon rocchi in marmo, accoglie un nuovo piano in vetro \ncolato nei colori nero, giallo senape, verde scuro \ne rosa. La particolare lavorazione irregolare della \nsuperficie, in perfetto equilibrio tra artigianalità e \ndesign, permette alla luce che si riflette di diffondersi \nlieve e tiepida tra giochi di ombre e luci.\nThe Maestro table affirms the centrality of its role \nin domestic interiors in the new 150x150cm square \nversion.\nA perfect combination of design vision and excellence \nin craftsmanship, Gianfranco Frattini’s Maestro table \nhas been reissued and re-introduced in the Remasters \ncollection in 2020. \nThe workmanship of the slatted base - of Japanese \ninspiration - and the richness of the wood also \ncharacterise the new square version, a faithful \nreproduction of the original 1997 design.\nA sculpture-low table that enhances the value of \ndifferent materials and surroundings. \nThe Menhir low table, defined by its column base \nwith marble drums, accommodates a new cast glass \ntop in black, mustard yellow, dark green and pink \ncolours. The irregular workmanship of the surface, in \nperfect balance between craftsmanship and design, \nallows the reflected light to diffuse softly and warmly \nbetween plays of shadow and light.\n1\n4\n1 \n Detail of the base made up of thin slats of solid wood.\n2 \n Maestro in the new 150x150cm variant, available \nin black ash and dark stained walnut. Design \nGianfranco Frattini, 1997.\n3 \n Un dialogo armonioso di materiali e geometrie. \nI tavolini Menhir possono essere utilizzati \nsingolarmente oppure in gruppo per dare vita a \ndiverse composizioni.\n4 \n Dettaglio del top in vetro colato in una delle nuove \ncromie.\n3 \n A harmonious dialogue of materials and geometries. \nThe Menhir low tables can be used individually or in \ngroups to create different compositions.\n4 \nDetail of the cast glass top in one of the new colours.\n1 \n Dettaglio del basamento composto da sottili listelli in \nlegno massello.\n2 \n Maestro nella nuova variante 150x150cm, disponibile \nin Frassino nero e Noce tinto scuro. Design \nGianfranco Frattini, 1997.\n15\nAcerbis\nJournal\nNovelties 2023\n14\nAcerbis\n2023\nMaestro\u002FMenhir\nDesign  \nGiotto Stoppino, Lodovico Acerbis, 1983\n",8,{"image":46,"text":47,"number":48},"\u002Fmedia\u002Fimages\u002Fa8\u002Fdb8ab1f93d9eb4e5657f5a64ae4475-28e609e612.9.png","16\nAcerbis\n2023\nAcerbis × Salvatore Ferragamo\nArt Direction & Design\nFrancesco Meda,  \nDavid Lopez Quincoces\nPhotos\np. 2  \nThomas Pagani\np. 4-12 (1,3), 14, 15  \nLorenzo Cappellini Baio\np. 3, 12 (2), 13  \nAlberto Strada\nGraphic Concept\nStudio Temp\nCopy \nMDF Italia marketing dept.\nMade and Printed in Italy  \nby Navapress srl Milan, \nItaly \n2023 January\nM920099-0868\n© Copyright 2023 MDF Italia srl Società Unipersonale all rights reserved MDF Italia reserves the right to change, at any time and without prior warning, \nthe technical specifications of any product illustrated in this catalogue\nAcerbis is a brand of MDF Italia Srl \nHeadquarters via Fratelli Cervi, 4\u002FA, 22066 Mariano Comense (CO)\nT +39 031 7570301\nacerbis@mdfitalia.it\nacerbisdesign.com\n@acerbis_design\n",9,[],0,false,true,{"success":52,"data":54,"meta":275,"count":276,"next":277,"previous":278,"results":316,"brand_chips":377},[55,68,78,88,98,108,118,128,138,150,163,176,186,199,212,222,232,242,252,265],{"id":56,"title":57,"slug":58,"image":59,"source":60,"brand_name":61,"brand":62,"brand_slug":63,"file_size":64,"pages":65,"pages_count":66,"matched_pages":67,"match_count":50,"two_pages":51,"show_text":52},26607,"Working 2026","leds-c4-working-2026","\u002Fmedia\u002Fimages\u002F3a\u002F295e58aee952a0d50352f22925106a-29704a6e39.1.png","\u002Fprivate\u002Ffiles\u002Fad\u002F06804e7560a395bf4a98c17bd40b17-29704a6af8.pdf","Leds C4",2502,"leds-c4","106.7 MB",[],1218,[],{"id":69,"title":70,"slug":71,"image":72,"source":73,"brand_name":61,"brand":62,"brand_slug":63,"file_size":74,"pages":75,"pages_count":76,"matched_pages":77,"match_count":50,"two_pages":51,"show_text":52},26606,"Architectural 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